200 Journal of the F.M.S. Museums. [Vor. IX, 
Tulis  galun,' lel, keh gantong lamun 
Plaiting girdle, spinning, I hang ~ end 
H’rem. Halak, lelot, tabek laweh ! 
Herem. Halak, throwup, salutations head! 
** Plaiting a girdle, spinning, I hang at the end of the Herem. 
Salutations to your head! Halak, I am throwing up my 
head-dress !”” Tt i is a female Chinoi who is speaking. 
Pa wer-chet tabek laweh, eh, yek 
Open (2) Come ae (2), salutations head, father, I 
gantong. 
hang. 
** When it diego I come down. Salutations to your head! 
father, I hang!’’ It is Sa male Chinoi who is speaking. The 
reference to ‘‘ opening ’’ is, I believe, to a hole in the end of 
the Batu Herem which opens and shuts. 
Lel, lel bayang-baju pantai 
Spinning, spinning sunset glow shore 
Sengak. 
Sengak River. 
‘* Spinning, Oe aeons in the sunset glow on the shore of the 
naa. eg Rive the tiger spirit of the Aalak which is 
speaking 
Eh, ch, lungkan balan chiben. 
Father, father, climb bridge _— rising sun. 
‘* Father, father, I have climbed the bridge of the rising sun,’ 
Itisa Chemam, a spirit of the ‘‘ middle air,” who is ae 
The sun appears to pass along a bridge after coming out of 
the passage under the earth. 
Bedlad bésangit on-on On-on, 
o(? 
Open (?) door (?) come-out come-out. 
I am very uncertain about the whole of the nee line. 
I find that, in another place, Mémpélam gave me ‘ or 
the meaning of bedlad; here however he ceacsinced it as 
1 does remarks with reference to galun, ‘iar p. 204 and also the form 
Kalun e pa, 
2 Toke (1921) would translate pau ‘‘noise like clapping” wer 
“‘ turning, ” chet ** arrive 
