xiv AMERICAN HOMES AND GARDENS 
September, 1912 
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MUNN & COMPANY, Inc., Publishers 
SCIENTIFIC AMERICAN OFFICE 361 Broadway, New York City 
Tue Lire or Grorcio Vasari. A Study of 
the Later Renaissance in Italy. By Rob- 
ert W. Carden, A.R.I.B.A. New York: 
Henry Holt & Co. 1911. 8vo. 367 pp. 
Price, $4. 
Imbued with the decadent ideas of his 
century, Vasari, in spite of his contem- 
porary fame, can scarcely be said to be 
more than a copyist of his master, Michel- 
angelo. Fortunately for posterity, he used 
his pen to better advantage than his brush, 
and has left us three volumes of invaluable 
history, appreciation, and comment con- 
cerning Italian art. Where the works of 
others were concerned, his eye was mar- 
velously unenvious and_ discriminating. 
This clairvoyance, aided by his opportuni- 
ties for commingling with personages royal 
by blood and royal by genius, has given us 
writings of the most enchaining interest. 
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an extended biography of their author, but 
Mr. Carden makes another ingenious point 
when he argues that Vasari’s history of the 
arts through infancy and youth to manhood 
leaves them there in the fullness of their 
mature glory, unconscious of the fact that 
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the shadow of senility had already fallen 
upon them. This period of decay, the 
writer further urges, coincides with the 
sixty-three years of Vasari’s own life; 
hence in Vasari himself. we have a human 
document surcharged with the unsuspected 
pathos of art’s hectic Autumn—a period 
no less significant in its way than the Spring 
and Summer of its promise and fruition. 
This significance is admirably conveyed by 
the biographer, and is accentuated by many 
rich plates reproducing the canvases of 
Titian, Bronzino, and Vasari himself. 
These exhibit to excellent advantage both 
the strength and weakness of Vasari’s hand. 
The text is of a free, flowing style, does 
thorough justice to its subject, and forms 
a distinct contribution to the accessible lit- 
erature of Italian art. 
