VI 



AMERICAN HOMES AND GARDENS 



January, 1908 



Eleven Years Old 

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on House Planning, Interior Decoration 

 and Gardening. The question "How 

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STUDY ARCHITECTURE 



EASY LESSONS 



OR STEPPING-STONE TO 



ARCHITECTURE 



BY THOMAS MITCHELL 



A SIMPLE TEXT-BOOK telling in a 

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ALCOHOL 



ITS MANUFACTURE 

 ITS DENATURIZATION 

 ITS INDUSTRIAL USE 



The Cost of Manufacturing Denatur- 

 ized Alcohol in Germany and Ger- 

 man Methods of Denaturization 



are discussed by Consul-General Frank H. 

 Mason in Scientific American Supplement 1550. 



The Use, Cost and Efficiency of 

 Alcohol as a Fuel for Gas Engines 



are ably explained by H. Diedrichs in Scientific 

 American Supplement 1596. Many clear dia- 

 grams accompany the text. The article con- 

 siders the fuel value and physical properties of 

 alcohol, and gives details of the alcohol engine 

 wherever they may be different from those of 

 gasoline or crude oil motor. 



The Production of Industrial Alcohol 

 and Its Use in Explosive Motors 



are treated at length in Scientific American 

 Supplement 1581, valuable statistics being 

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 from farm products and using it in engines. 



French Methods of Denaturization 



constitute the subject of a good article pub- 

 lished in Scientific American Supplement 1599. 



How Industrial Alcohol is Made and 

 Used 



is told very fully and clearly in No. 3, Vol. 95, 

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The Most Complete Treatise on the 

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explaining thoroughly the chemical principles 

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 wearisome technical phrases, and describing 

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In Supplements 1607, 1608 and 1609 we 

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JUST PUBLISHED 



THIRD EDITION OF 



KIDDER'S 



Cimrcfjesf ■* Chapete 



By F. E. KIDDER, Architect 



This edition has been thoroughly revised 

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 iHunn & Co,, 361 JBroaotoap, fUto gork Citp 



Italian Gardens. After drawings by 

 George S. Elgood, R. I. With Notes 

 by the Artist. New York: Longmans 

 Green & Co. Plates, 52; pages, 160. 

 Price, $12.00 net. 



This beautiful and sumptuous volume is a 

 distinct contribution to the literature and illus- 

 tration of Italian gardens. It is one of those 

 rare books to which the word exquisite can 

 be rightly applied and without reservation. 

 Italian gardens have been frequently pictured 

 in photographs and drawings, but not before 

 in colored reproductions on the scale adopted 

 in this book. The illustrations at once com- 

 mand attention, both by reason of their num- 

 ber and because of their color; for each of the 

 fifty-two plates are colored reproductions of 

 paintings by the author of the book, 

 paintings of distinct charm and beauty in 

 themselves, and charmingly reproduced in a 

 very careful and delightful manner. One 

 gets quite the quality of the original paintings 

 from these beautiful plates, which at once 

 indicate the progress of modern color printing 

 and set a standard by which similar work 

 must, for some time to come, be judged. 



The "Notes'' with which the artist-author 

 modestly describes his text on his title page, 

 amounts to very much more than the frag- 

 mentary material this word suggests. He has 

 not, indeed, undertaken a treatise on Italian 

 gardens as a whole, but his text is entirely 

 adequate and is much more than a running 

 commentary on the illustrations. All told, 

 twenty-six gardens are described and illus- 

 trated in this book, of which one belongs to 

 Pompeii, six in Rome, Frascati, Viterbo 

 and Florence ; two to Tuscan villas other 

 than Florence, and five to north Italy. For 

 more than a quarter of a century the author 

 had been drawing and painting Italian gar- 

 dens, and ample as is the present sheaf of 

 illustrations as pictures of his present subject, 

 they represent but a small portion of the 

 material actually accumulated. Many of the 

 earlier drawings, he tells us, passed be- 

 yond his control, hence some familiar gardens 

 are absent from the list. This, however, need 

 not be deplored, for there is more than enough 

 given us, and the statement is made only by 

 way of explanation. 



No one needs, in this day, to be informed 

 of the beauty and extent of the great gardens 

 of Italy. A multitude of books, and an end- 

 less stream of travelers, has made them, in 

 a sense at least, if not actually, familiar to 

 many persons. The number of these great 

 pleasure grounds is so great, their extent so 

 wide, their interest so varied, that every new 

 set of photographs yields additional interest 

 and uncovers new delights. But the most 

 faithful photograph is without the charm of 

 reality and, of course, is wanting in color and 

 atmosphere. This deficiency Mr. Elgood has 

 now supplied for the gardens he presents in 

 this book. The result is not only a novelty 

 in the presentation of its subject, but pos- 

 sesses a real value in displaying, in a thor- 

 oughly sympathetic way, the color beauties of 

 the Italian gardens. Mr. Elgood's book is, 

 therefore, notable in many ways. Its pictures 

 are charming and delightful transcriptions of 

 many portions of some of the best of Italian 

 gardens presented in the work of a thoroughly 

 capable artist, and they present the real and 

 (Continued on page ix) 



