of the Hindus. 



79 



enabled me to corrccl the manufcript ; but I have fome doubt as to V'ddvali, 

 of which .pa is declared to be the ansa, or tonick, though it is faid in the 

 fame line, that both pa and ri may be omitted : I, therefore, have fuppofed 

 dha to be the true reading, both Mirz-akh-an and the leeway an exhibiting 

 that note as the leader of the mode. The notes printed in Italick letters 

 are varioufly changed by temperament or by {hakes and other graces ; but, 

 even if I were able to give you in words a diftincl: notion of thofe changes, 

 the account of each mode would be infufT.rably tedious, and fcarce intel- 

 ligible without the affi (lance of a mafterly performer on the Indian lyre. 

 According to the bell: authorities adduced in the Ndrdyan, the thirty-fix 

 modes a:e, in fome provinces, arranged in thefe forms: 



fd'ha, ni, fa, ri, ga, ma, pa, 

 ri, ga, ma, pa, dha, ni. 

 fa, *, ga, ma, pa, dha. 

 *, ga, ma, *, dha, ni, 



B.HAIRAVA : 



Vara ft: 

 Medhyamadi : 

 Bhairavi : 

 Saindhavi : 

 Jlengdii : 

 Ma'lava t 



Gau'dl : 

 Gondacri : 

 Snfthdvati : 

 C:c lha: 

 Sri'ra'ga : 

 Midavafrl ; 

 I,! dram : 

 Dbanyist ; 

 Vafdnt) : 

 A'J'dveri : 



< 



j fa, 

 ni, 



J pa, 

 (.fa, 

 fma, 



dh; 



L 



j ma, pa, dl 

 J ni, fa, ri. 



\ rl a 



ni, la, n, ga, 



ri, ga, ma, pa, dha. 



*, dha, ni, fa, ri, 



dha, ni, fa, ri, 



ga, ma, *, 



fa, *, ga, ma, pa, *, 



dha, ni,fa, ri, ga, ma, 



not in the N dray an. 



Ha, ri, ga. ma, pa, dha, 



fa, ri, ga, ma, pa, dha, ni. 



fa, *, ga, ma, pa, dha, ni. 



fa, ri, ga, ma, pa, dha, ni, 



I fa, ri, ga, ma, pa, dha, ni, 



Iri, ga, ma, pa, dha, ni, fa, 



ma, 

 ni. 



ga. 



dha, 



ni. 



*. 



ni. 



