g© 



'O N T H E "M U S I C A L MflOE 



Hindo'la .: 

 .Rdmacrl: 

 .Defdcjhi.: 



helita : 

 Ve lav all: 

 Patamanjarl: 

 Di'paca ; 

 Des) : 

 Cdmbodl: 

 Netta : 

 Ctda ri : 

 Carndti : 

 Me'gha l 

 Tacca t 

 Mdla'ri: 

 Gurjari.: 

 Bhupdli : 

 Defacri : 



1 



f fa, ■*, ga, ma, "*, dha, ni. 

 i 

 fa, ri, ga, ma, pa, dha, ni, 



ga, ma, pa, dha, ni, fa, *. 



fh 



ga, ma, pa, 



dha, ni, fa, ri, ga, ma, pa. 

 |j>a, dha, ni, fa, ri, ga, ma. 



omitted. 



i 



Cm, fa, ri, ga, ma, pa, dha. 

 fa, ri, ga, ma, pa, dha, ni* 



& 



n, .ga, ma, pa, dha, ni, 

 omitted. 



fa, ri, ga, ma, pa s dha„ 



fdha,ni, fa, ri, ga, ma, pa. 



(a mixed mode.) 



dha,ni, *, ri, ga, ma, *. 



omitted in the Ndrdyan. 



t fa, ri, ga, *, pa, dha, *. 



\j\i, fa, *, ga, ma, pa, *. 



Among thefcales juft enumerated we may fafely fix on that of Sri'ra»ga 

 for our own major mocle, fmce its form and character are thus described 

 in a Sanfcrit couplet : 



Jatinyafagrahagram-anlcfliu fhafljo' Ipapanchamah* 

 Sringaravirayorjneyah Srhdgd gitacovidaih. 



** Muficians know Sriraga to have fa for its principal note and the 

 << nrft of its fcale, with pa diminifhed, and to be ufed for exprefling hc- 

 " roick love and valour." Now the diminution of pa by one iruti gwes 

 ;iis the modern European fcale. 



