MovERrnolMir ation or THE “Vipas).&c. 
bs 
eo 
pal part is boré by'the*former. “She instructs her “pupil: in severy ‘thing 
relating to the arrangement of the universe which she thus. describes y 
** La fleur qui compose le monde repondit la deesse est elle mesme com- 
*¢ posé de dix feuilles je dois mé! meétamorphoser sur chacune des ces 
“6: feuillés ety parcitre soubsdifferents. figures tu duras' darmiesme: sort | et 
‘Stu instruirasles hommes des different vertus- qu’ilscdéivent pratiquer ‘et 
“iguels sontles) saicrifces: quwils deivent nvofirit.’—Dhen follows as 
docount:of the fifsbleaf of the flower, which doisstitttes|the first:partof-the 
ehaplét, which lt succeeded bysa:refutationcds imi the: formér:manuse: 
eriptss dire abstract: of ithe: Task part of thersecond chapter igy.\¢ Rik 
“One Bedorretitation de seconde feuillectodes lprandelire der Bima 2” 
each of the ten leaves of the flower of theuniverse and the tél dvesaraies 
ef the goddess being described and: refuted in a separate chapter.—The 
title of the second division of thissworiets-the Rik Cormo Bédo :?” it is 
nearly the same in form and substance as the ** Zozoche Kormo Beédo ;”? 
each chapter i¢dividedsas! inthis work intoiastatement lof The cere- 
monies and arefatation-ofsthem § it treats; “firsty:ons thee several) wodés “of. 
performingspenances ervexpiations ("des penitences'poutsses* peches”™);. 
of daily ioeremonies {<des actions: jounalieres)s:the morniney noon and 
moh weet ter vs 2 | ee * ep hsey | ess an ig. ots. Beary 3 eae rea hare 
Seo: FRU; Sten NV eka T L3K yal oytitenius: dsiiw co .formide 8 3 
ay ee | sk NALS SF a FE US cays + Re ee StF Oy rm 
i. Asn 2 96 Orr cae | r ret STY Ke re? tS F, Ook? 
Bub uc BR pO RIK eet eri ; eoudiual Fa ad @uUTs a0 $3 yi {OVIITYR Sisy 
ll es 8 
thee Ssingens of Hamsa,. the ag tees amills white body and.deep.red ‘beak, and legs, 
this is the BuceAeopiros or flamingo : the Malickene amen: With. brownish beak a legs, and 
the D pdrtar éshtxarddamse, wits black: bezk autk legsy thevlattarsiscthec Eur pean SHANG: the former 2: 
variety.— The gait of an elegant woman: is compared by the Hindu poets to the proud bearing of the 
Swan in the _Water 5 er SONNERAT, 0 making. 4 mistake similar to that in the text, . _translat eS a passage ia 
“which this allusion occurs in. words to the following Toa her gait it sesembled that of ute Ga Q0S6s- 
Other writers shave fallansinto’ the saind-exrars: B BbITOV wa TARaAOM 10 suGIITO. Ba oUt 
\ “5 fas t SES a ae ea ee ase i+ Fre 
! ty 92 .0S02 tas. oi13 Juods nolzzigt 9° Ps Se Dobsuah wuMaAAIa lsum? ie oe Sas B 
