CONTENTS. 
Paintine—( Continued.) 
b. The Florentine School, . : : : : 
c. The Venetian School, . ‘ 
d. The Bolognese, Lombard, and N eapoliietn Bdhedl 
2. Spain, ? : : ‘ : ; 
3. France, . : : : ‘ : : 
4, Germany, . : ° : . : 
5. The Netherlands, . ; ; : ‘ : 
6. England, . : ; : . : : 
7, America, . i : ; . 
3. Theory of the Art of Pig rine : : - . 
A. Morphology or Doctrine of Forms, . : ° ° 
B. Pictorial Perspective, : : : ane ° 
C. Drawing of the Human Figure, : : : : 
D. Composition, . : ; : 
E. Illumination, ; : : 
F, The Various as of Feftiiine: : . : : 
4, Graphics, . Pike ° : . 
A. Engraving Stamps ati cis - : : : 
B. Wood-Engraving, . : - . . . 
C. Engraving in Metals, : : : : . 
D. Hyalography, : - ‘ : , : 
E. Lithography, ‘ : - : : 
Ill. Music and the Drama, i 3 : : ; , 
1. Music, . é é : : : 2 
A. Ancient Riese: : : 2 ; ; : 
B. The Middle Ages, . . : ° : . 
C. Modern Times, ' ‘ : : : . 
D. Recent Times, 3 , 3 : : . 
2. The Dramatic Art, ‘ F ; : : 
The Buildings, . : é : . ° ° 
*, The references for explanations of the subjects are to the bottom paging of the text. 
Ompow wo = 
CONTENTS OF THE PLATES (IX. Nos, 1—26) 
TO 
Perea Pt eh en eee 
PAGE 
PLATE 1. PLATE 1—(Continued.) 
. Bas-relief from the ruins of Perse- Figs. 7,8. Etruscan bas-reliefs, : 
polis, . 389 | “ 9-11. Grecian sculptures of the se- 
. Trimurti, from the “temple of cond period, : ‘ 
Elephanta, . : : . 389 «© 12. Bas-relief from Selinuntiz, . 
. Bas-relief from Ellora, : « ooo « 13,14. Bas-reliefs from Xanthus, 
. Bas-relief from Kenneri, . . aOp 
. Bust from Aging, . . . 399 PLATE 2. 
. Mask from Selinuntie, . . 398° Figs. 1-9. Egyptian statues, . 
PAGE 
395 
399 
398 
399 
393 
