xxii CONTENTS. 
PAGE PAGE 
PLATE 17—(Continued.) PLATE 22—(Continued.) 
Fig. 3. Raphael’s portrait, by himself, . 467] Fig. 6. Reppin a with line en- 
«© 4. The Adulteress before Christ, by gra - 650 
Tintoretto, . 482 i, ee pam OF holding the grave, 551 
« 5. The' Dying Magdalen, by Rusti- « Ta. Engraver’s easel, . 551 
chino, . 476 “8a. Engraver’s hand-vice, 550 
« 6. Holy Family, by Francesco, Al- « 9. Manipulation of cutting stones, . 547 
bano, . . -491 «9a. Engraver’s oil-rubber, 551 
«7. Charity, by Andrea del Sarto, A474 «10,11. Tampons, or dabbers, . 550 
« 8. Madonna, by Murillo, 495 s¢© 12. Common ruler, . 5 : 551 
-  §69. Vandyk’s portrait, by himself, 515 “ 13. Parallel ruler, .. abt 
*« 10. Passage of the poesia = ‘Le- “ 14,15. Scrapers, 991, 558 
brun, . « 16. Burnisher, . : - . “Sat 
* 17. Rocking- tool or cradle, 552 
araentnli “18. Roulette, 552 
Fig. 1. Madonna and the Fathers of the ea Scratcher, . : 552 
Church, by Raphael, 466| « 90-92. Etching needles, . 551 
« 2. The Virgin Mary, by Fra Bartolo- « 93-96. Gravers, $ 550 
meo, . A473 ee 27. Callipers,. : 551 
« 3. Christ crowned ‘with. thorns, by « 98ab. Improved callipers, 551 
Titian, A479 « 29,30. Punches, - Sb 
> as Andromeda, by Francesco F urini, 477 « 2138. Engraver’s anvil ara hammer, 551 
« 5. Offering brought to A%sculapius, « 33. Lines made by the cradle, . 552 
. by Guérin, . 502} « 34. Reducing frame, 550 
«© 6. Guido Reni’s portrait, ‘by himself, A491 « 35. Frame for correctly observing 
« 7. Assumption of St. Mary, by Ru- curves on busts, &c., . 551 
bens, . ais « 36-38. Hands for engraving stamps, 547 
« . 8) Porraitot Rubens, by himself, 515 
« 9. The Adoration of the Shepherds Nee 
by Van der Werff, 517 | Alphabets of various aed. for the use 
« 10. Youth with the Drinking-cup, 516 a engravers, 593 
“ 11. Guitar-player, by Netscher, 516 x The values of the letters in 1 English charac. 
“ 12. The Adoration of the Magi, 511 ters are placed opposite them. It will suf- 
« 13. Endymion, by Girodet-Trioson, . 502 fice here to give the list of the languages 
« 14. Belisarius, by Frangois Pascal whose superscriptions are in German. The 
Gérard, ~ i ; c= UNL only words that may require explanation 
PLATE 19. 
Illustrations of the Theory of the Art of Drawing. 
Figs. 1-12. The eye, 535 
13-15. The nose, 535 
« 16-19. The mouth, . 535 
«< 20-27. The ear, 536 
« 28-31. The feet, 537 
« 32-39. The hands, . 537 
« 40-45. Pictorial perspective, 530 
PLATE 20. 
Illustrations of the Theory of the Art of Drawing. 
Figs. 1-10. The head, : 536 
« 41-14. The entire body, . 538 
« 15,16. Artistical Anatomy, 526 
“ 17-21. The hands, . 537 
PLATE 21. 
Illustrations of the Theory of the Art of Drawing. 
Figs. 1-11. Auxiliary lines, 537 
12-15. Proportions of the human 
body, 538 
« 16,17. Proportions of the human face, 536 
** 18. Antique torso, : = ge 
“« 19-21. Antique heads, 537 
PLATE 22. 
Illustrations of the Graphic Arts. 
Fig. 1. Etching on soft ground, 552 
« 2. Etching, . 550 
« 3. Etching finished with the graver, 550 
< 4 Mezzotinto, f 550 
« 5, Aquatint engraving, . 550 
are: Kehlhauch, guttural aspiration; Kurz, 
short; Lang, long; Werth, value; Zahl- 
werth, numerical value; and Benennung, 
name. 
The alphabets are: 1. Japanese; 2. Tamul, 
3. Bugic (Malay); 4. Persian arrow-headed 
characters; 5. Hebrew; 6. Samaritan; 7. 
Pehlvi (Parthian); 8. Armenian; 9. Ancient 
Greek ; 10. Modern Greek; 11. Coptic; 12. 
Gothic ; 13. Etruscan; 14. Anglo-Saxon ; 15. 
Runic. 
PLATE 24, 
Alphabets for engravers (continued): 1. Magadha 
(older Sanscrit); 2. Sanscrit; 3. Tibetan; 4. 
Arabic ; 5. Ethiopian; 6. Syriac; 7. Zend; 
8. Mongolian ; 9. Russian; 10. Wallachian ; 
11. Serbian. 
GLOSSARY. 
Bemerkungen, Observations; these are: * Jerr 
adds to the force of the preceding consonant ; 
** Jehr softens the preceding consonant ; 
*** The Serbian language is printed with 
Russian type, with the addition of Jerr and 
Jehr. 
Interpuctionszeichen der Zendschrift, Punctua- 
tion marks of the Zend language. 
PLATE 20. 
Figs. 1-33. Details illustrating the construc- 
tion of theatrical buildings, 569-579 
PLATE 26. 
Figs. 1-45. Details illustrating the construc- 
tion of theatrical buildings, 569-579 

