Lebel 2D Oe TH EFA NE ARES 

[The numbers refer to the top paging of the text.] 
ABEL DE Pusot, a French artist, 118. 
Abraxas gems, the, 28. 
/Xginetan sculptures, the, description of, 14, 15. 
fMsculapius, or Asklepius, the artistic form of, 37. 
fAtion, a painter of the time of Hadrian, 76. 
Agasias, the name of three celebrated sculptors 
at Ephesus, 23. 
Agathareos of Athens, 72. 
Aglaophon, a Greek artist, 72. 
Albano, Francesco, sketch of the life and works 
of, 107. 
Aldegrewer, Heinrich, 127. 
Aldobrandini Wedding, the, an ancient painting 
found in Rome, 75. 
Alfani, Domenico and Orazio, 81. 
Algardi, an Italian sculptor, 56. 
Algicani, Michele, an early Italian sculptor, 51. 
Allegri, Antonio, sketch of the life and works of, 
99-101. 
Allori, Christoforo, 92. 
Altdorfer, Albert, 127. 
Amazon, statues of a, by Phidias and Ctesilaus, 
20. 
Amazons, the, artistic form of, 42. 
Amberger, Christoph, of Nurnberg, 126. 
America, state of art in, 135, 136. 
Amor, or Eros, the artistic form of, 36. 
Anatomy of the muscular system with a special 
view to artistical representation, 142-146. 
Andrea del Castagno, 87. 
Andrea da Salerno, a Neapolitan artist, 109. 
Andrea del Sarto, sketch of the life and works of, 
89, 90. 
Andreas of Velletri, 80. 
Anguier, a French sculptor, 58. 
Antinous, the statues of, 27; 
Belvedere, ib. and 35. 
Apelles, the works of, 73. 
Aphrodite, the artistic form of, 33. 
Apollo, the artistic form of, 30, 31; 
Callinicus, the Belvedere, &c., a 
Apollodorus of Athens, 72. 
Apollonius, a Greek Seale 24. 
Aquarelle engraving, 169. 
Aquatint engraving, 169. 
Arcesilaus, a Roman sculptor, 26. 
Architectonics, province of, 3. 
Ares, the artistic form of, 33. 
Ariadne, the artistic form of, 36. 
Art, general observations on, 1; meaning of the 
term, ib.; laws of art, 2; forms adapted to the 
purposes of, 2,3; pursuit and practice of, 3; 
mythological subjects of ancient, 29-42 ; his- 
torical representations and portrait-statues, 
42; representations of religious acts, gymnas- 
tics, horse and chariot races, war, the chase, 
and rural life, 43, 44; decline of, under the 
Roman emperors, 44, 45; condition of, in the 
time of Constantine, 45—in the time of Julian 
the Apostate, 46; destruction of works of, by 
the Antinous of 
Apollo 
the early Christians, 46—and by the barbarian 
hordes which invaded the Roman empire in the 
fifth century, ib. ; encouragement bestowed on, 
by Thecdoric, 47 ; losses sustained by, during 
the reigns of Justinian and his successors, ib.— 
and of Popes Gregory I., Sabinian I., and Ho- 
norius I., ib. ; persecution of works of, extended 
to artists themselves, 48 ; influence of the Cru- 
sades on, 48, 49 ; revival of, 49, 50; deplorable 
influence of Lorenzo Bernini upon the plastic 
art, 54, 55; decline of, after the death of Mi- 
chael Angelo, 91; the classical and romantic 
schools of, in France, 117, 118. And see 
Painting. 
Artemis, the artistic form of, 31. 
Artists. See Painters. 
Ary Schafer, 118. 
Asper, Hans, of Zurich, 126. 
Atlas, the artistic form of, 37. 
Augsburg school of art, the, 127. 
Autography, a lithographic process, 177. 
Babylonians, the, little progress made in sculpture 
by, 6, 7; colossal statues and engraved stones 
of, 7. 
Bacchus, the artistic form of, 35. 
Baccio della Porta, sketch of the life and works 
of, 88, 89. 
Baisati, Marco, 94. 
Balducci, Giovanni, description of a mausoleum 
erected by, 51. 
Baldung, Hans, of Gemund, 126. 
Bamberg library, illuminated missal in the, 119. 
Bambocciadi, the, a school of Roman painters, 
84. 
Barbalonga, or Juan de Majo, 110. 
Barbarelli, Giorgio, or Giorgione of Castelfranco, 
95. 
Barbieri, an Italian painter, 85. 
Barocchio, 87. 
Barozzi, Federico, 84. 
Barry, James, 135. 
Bas-relief, 4. 
Batoni, Pompeo Girolamo, 86. 
Bayeux tapestry, the, 111. 
Behams, the two, 127. 
Bellerophon, the artistic form of, 41. 
Bellini, Giovanni and Gentile, 94. 
Belvedere Apollo, the, 31. 
Berettini, Pietro, 85, 93. 
Berlinghieri, Bonaventura, 79. 
Bernini, Lorenzo, vicious mode of composition of, 
54, 55, 85. 
Bigordi, or Domenico Ghirlandaio, 88. 
Boceardo Fabriano, 80. 
Botticher, Professor, the inventor of etching on 
glass, 172. 
Bolognese, Giotto and Franco, 80. 
Bolognese school, the, sketches of the principal 
artists of, and their pictures, 101-109. 
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