INDEX TO THE FINE ARTS. 
Doryphorus, the, a statue by Polycletus, 19. 
Drama, the, 182; state of, among the Athenians, 
183 ; among the Romans, ib.; in the Middle 
Ages, 183-185 ; buildings for the representation 
of, 185 et seq. 
Drawing, the art of, invented by Dibutades, 13 ; 
the invention of linear, ascribed to Cleanthes of 
Corinth, 71; theory of the art of, 136, 137; 
morphology, or the doctrine of forms, 137-146 ; 
pictorial perspective, 146-150 ; drawing of the 
human figure, 150-155 ; composition, 155-157. 
Du Breuil, a French artist, 113. 
Du Fresnoy, a French artist, 113, 114. 
Diirer, Albert, 60, 125. 
Diisseldorf school of art, the, 128. 
Dumont, a French sculptor, 58. 
Duret, a French sculptor, 58. 
Dying gladiator, the, 23, 43. 
Easel-paintings in Germany in the Middle Ages, 
122. 
Egyptians, the, 7,8; three periods distinguished 
in Egyptian art, 8; the monuments of Egyptian 
art classified with respect to locality, 8, 9; ge- 
neral characteristics of their statues, 9 ; excelled 
in the forms of avimals, 9,10; reliefs and works 
in burnt clay, 10; general characteristics of art 
among, ib. ; state of painting among, 68 ; gene- 
ral character of the subjects represented, 69. 
Emperors, the Roman, different methods of repre- 
senting, 26. 
Empresses, the Roman, methods of representing, 
ae 
Eneaustie painting, 73. 
England, modern seulptors of, 64; modern school 
of painting in, 133-135. 
Engraving, on stamps and gems, 162, 163; on 
wood, 163-165; copper-plate, 165-169 ; map 
and letter-engraving, 169 ; steel-plate engraving, 
170-172; on glass, 172. 
Eos, the artistic form of, 38. 
Eros, artistic representations of, 36; Eros and 
Psyche, ib. 
Etching on copper, 167, 168; on’ steel, 170; on 
glass, 172. 
Etruseans, the, 11; perfection of the plastic arts 
among, ib.; general character of the remains 
of, 11, 12 ; subjects, style, and coloring of the 
paintings of, 69, 70; description of various 
vase-paintings, 70, 71. 
Eumacros, an Athenian painter, 71. 
Euphranor, the Greek sculptor, 21, 73. 
Euthycrates, a famous brass-caster, 22. 
Farnese Hercules, the, 21; the Farnese bull, 23. 
Fauns, the, statues of, 39. 
Ferrata, an Italian sculptor, 56. 
Finiguerra, Tomaso, the inventor of copper-plate 
engraving, 165. 
Flaxman, John, the English sculptor, 64. 
Flora, statues of, 39. 
Florentine school, the, account of the principal 
artists of, and their works, 87-94. 
Fogatier, the Spartacus of, 58. 
Fontana, Alberto, 102. 
Foreshortening, first attempted by Giotto, 87. 
Forms, the doctrine of. See Morphology. 
Foulques, an early French miniature painter, 112. 
Fra Bartolomeo di San Marco, sketch of the life 
and works of, 89. 
France, principal sculptors of, in modern times, 
57-60 ; sketch of the history of painting in, and 
of the principal artists, 111-119; music and 
musicians of, 182. 
Francesco di Rossi, 92. 
Francia, Francesco, 101. 
Franciabigi, an Italian artist, 90. 
Frankish school of painting, the, 124, 125. 
Fresco-paintings in the Middle Ages, 78, 121; the 
modern art of, 121, 122. 
Frescoes, the, of the Romans, 75. 
Furini, Francesco, 93. 
Gaddi, Gaddo, Taddeo, and Angelo, 87. 
Gainsborough, Thomas, 135. 
Garcia, an early Spanish painter, 109. 
Gelasio of Ferrara, 79. 
Gelée, Claude, or Claude le Lorrain, 114. 
Gem-engraving, among the ancient Greeks, 24; 
among the Romans, 27. 
Gemma Augustea, the, or the Vienna cameo, 26. 
Gems, the Abraxas, 28; the art of engraving, 162, 
163. 
Genre painting, 158, 159. 
Gentile of Fabriano, 80. 
Gérard, Francois Pascal, sketch of the life and 
works of, 117, 118. 
Germany, rapid advance of the art of sculpture in, 
during the twelfth and thirteenth centuries, 49, 
50 ; condition of sculpture in, during the Mid- 
dle Ages, 60, 61; history of painting, and 
sketches of the principal painters of, 119-129 ; 
music and musicians of, 181; the drama in, ia 
the Middle Ages, 184, 185. 
Ghiberti, Lorenzo, a Florentine sculptor, 51, 52. 
Ghirlandaio, Domenico, a Florentine artist, 88, 
89. 
Giambologna, or Giovanni da Bologna, works of, 
54. 
Giants, the, representations of, by the ancient 
artists, 38. 
Giordano, Luca, 109. 
Giorgione of Castelfranco, 95. 
Giotto, a pupil of Cimabue, 79. 
Giotto of Vespignano, 87. 
Giovanni da Fiesole, 87. 
Giovanni da Pisa, one of the earliest Italian 
sculptors, 50, 51. 
Girodet, the works of, 118. 
Giulio Pippi, or Romano, the works of, 83. 
Giuseppino, il Cavaliere, 84. 
Gladiator, the Borghese and the Dying, 23, 43. 
Glass, etching on, 172. 
Glass-painters, enumeration of the principal in 
Germany, both in the Middle Ages and at the 
present time, 120. 
Glass-painting, in France, 111, 112; a German 
invention, 119; sketch of the art to the present 
time, 119, 120. 
Glaucus of Chios, celebrated for his works in 
metal, 13. 
Glycon, an Athenian sculptor, 21, 24. 
Gods, the earliest representations of the, only 
symbols, 13; entire images of, first made by 
the wood-carvers, ib.; gradual improvements 
in the representation of, 14; leading features 
in the artistic representations of each of the 
twelve, of Olympus, 29-35—of the minor dei- 
ties, 35-39. 
Gonzaga cameo, the, 24. 
Gonzales, Fernando, a painter and sculptor, 109. 
Gossaert, Johann, or John of Mabuse, 130. 
Gougeon, Jean, a French sculptor, 57. 
Goujon, Jean, a French artist, 112. 
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