iv INDEX TO THE FINE ARTS. 
Graces, Canova’s and Thorwaldsen’s, 37. 
Graphics, or Design, the art of, 3, 162. 
Greeks, the, great progress made by, in the art of 
working in metals as early as the time of 
Homer, 12; the art of soldering and the potter's 
art, 13; the most ancient sculptures of, consist 
of reliefs, ib. ; earliest images of the gods, ib. ; 
gradual advance of art among, 13, 14; the 
ffginetan sculptures, 14, 15; the Xanthian 
sculptures, 15, 16; prevailing style of art 
among, in the fifth century before the Christian 
era, 16; description of several reliefs, 16, 17; 
die-cutting and coining, 17; palmy time of art, 
17; the era of Phidias, 17-19 ; various schools 
of art, 19-23; decline of art among, 24 ; his- 
tory of painting among, and account of the 
principal painters, 71-74. 
Gross, Ph., statue of Gen. Kleber by, 58. 
Grunewald, Matthaus, 126. 
Guariento, an early Venetian artist, 94. 
Guérin, a French artist, 118. 
Guerino of Pistoja, 81. 
Guidi, Tomaso, 87. 
Guido, sketch of the life and works of, 106, 107. 
Guido of Siena, 79 ; da Bologna, 101. 
Gymnastics, as a subject for plastic representations 
among the ancients, 43. 
Hadrian, the emperor, an artist, 76. 
Hans of Cologne, 122 ; Hans of Melem, 126. 
Harpies, the, sculptures of, 39. 
Haut-relief, 4. 
Heath, Charles, the engraver, 170. 
Heemskerk, Martin, a Flemish artist, 130. 
Heinz of Kulmbach, 127. 
Hepheestus, the artistic form of, 31, 32. 
Hera, principal features of the statues of, 29, 30. 
Herculaneum, paintings found at, 76. 
Hercules, representation of, in the metopes of 
Selinuntie, 14; the Farnese, 21; the artistic 
form of, 40 ; various statues of, ib. 
Herlin, Frederick, 124. 
Herme, or terminal statues, origin of, 13. 
Hermaphroditus, a creation of artistic fancy, 37. 
Hermes, the artistic form of, 34, 35. 
Herrera, a Spanish artist, 110. 
Hestia, the artistic form of, 35. 
Hildegard of Cologne, 126. 
Hindoos, the, state of sculpture among, 4, 5 ; the 
greatest amount of skill shown in the delinea- 
tion of female figures, 5. 
Uippolytus, the artistic form of, 41. 
Historical painting, 159, 160. 
Hogarth, William, 134. 
Holbein, Hans, the elder, 124; the younger, 121, 
125, 126. 
Hours, the, artistic forms of, 38. 
ituman figure, the, drawing of, 150-155. 
Hyalography, 172. 
Hygeia, the artistic form of, 37. 
{conoclasts, the, systematic attacks of, 48. 
‘| Fattore, or Francesco Penni, 109. 
{{luminated manuscripts, 119. 
‘umination, pictorial, 158. 
{luminations, the, of the Middle Ages, 79. 
imola, Innocenzo de, 102. 
intaglios, 162. 
‘phion of Corinth, 72. 
‘ris, the artistic form of, 38. 
israel of Meckenem, 123. 
early sculptors in, 50, 51; decline of art in, 
under the influence of Lorenzo Bernini, 55; 
modern sculptors of, 56, 57; account of the 
principal painters of the Roman school, 80-87— 
of the Florentine school, 87-94—of the Vene- 
tian school, 94-101—of the Bolognese, Lom- 
bard, and Neapolitan schools, 101-109 ; music 
and musicians of, 180. 
Jacopo di Empoli, 92. 
Jarenus of Soest, 124. 
Johannes da Alemannia, 94. 
Jorge or George, an English artist resident in 
Spain, 110. 
Joshua, illuminations from a Greek manuscript 
representing the history of, 79. 
Jouvenet, Noel, a French artist, 113. 
Julian the Apostate, condition of art in the time 
of, 46. 
Juno, general features of the statues of, 29, 30. 
Jupiter, main features of the artistic representations 
of, 29 
Kleber, Gen., statue of, by Ph. Gross, 58. 
Koilanoglyphs, or reliefs en creux, 10. 
Kraft, Adam, a German sculptor, 60. 
Kranach, Lucas, 127. 
Kronos, the artistic form of, 37. 
Laar, Peter, 84. 
Landscape painting, 161, 162. 
Lanfranco, an Italian painter, 85, 105. 
Laocoon, the group of, 22. 
Lawrence, Sir Thomas, 135. 
Lebrun, a French artist, 113, 115, 116. 
Lemoine, Francois, 116. 
Leochares, the works of, 21. 
Lessore, a French artist, 119. 
Lesueur, a French artist, 115. 
Letter-engraving, 169. 
Leutze, an artist of the Diisseldorf school, 128. 
Liesborn, the master of, 124. 
Lippi, Filippo, 87. 
Lithography, imvented by Sennefelder, 172 ; 
method of printing, 173 ; the pen manner, 173, 
174; the engraving manner, 174, 175; the 
chalk manner, 175, 176 ; the dabbing method, 
176; chromo-lithography, 176, 177; auto- 
graphy, 177. 
Lombard school, the, sketches of the principal 
artists of, and their pictures, 101-109. 
Lorenzo di San Severino, 80; Lorenzo da Bo- 
logna, 101. 
Luca della Robbia, an early Italian sculptor, 51. 
Luea Signorelli, 87. 
Ludius, wall-paintings by, 74, 75. 
Luigi, Andreas, 81. 
Luna, how distinguished from Artemis, 38. 
Lysippus, characteristics of the style of, 21, 22. 
Mabuse, John of, a Flemish artist, 130. 
Menads, the, artistic forms of, 36. 
Manner, definition of, 3. 
Mantegna, Andrea, 94, 95. 
Manuel, Nikolaus, of Bern, 125. 
Manuscripts, illuminated, in Germany, 119. 
Map-engraving, 169. 
Maratti, Carlo, sketch of, 84, 85. 
Margheritone of Arezzo, 79. 
Mars, the artistic form of, 33. 
Martis, Octavian, 80. 
italy, Nicolas and Giovanni of Pisa and other | Masaccio, an early Italian painter, 80, 87. 
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