INDEX TO THE FINK ARTS. 
Sandro Boticelli, 87. 
Saracino, an early Spanish painter, 109. 
Sarcophagi, the Roman, 27. 
Sarrassin, a French sculptor, 58. 
Sassoferrato, an Italian painter, 85. 
Satyrs, the, artistic representations of, 35. 
Saviati, Francesco, 90. 
Saxon school of art, the, 127. 
Searamucio, an Italian painter, 85, 
Scenography, among the Greeks, 73, 74. 
Schadow, Joh. Gottfr., the works of, 61, 62. 
Schauflin, Hans, 127. 
Schaffner, Martin, of Ulm, 126. 
Schliiter, a German sculptor, 61. 
Schnetz, a French artist, 119. 
Schongauer, Martin, of Kalembach, 123, 124. 
Schools of art. See Painting. 
Seopas, the works of, 20. 
Schoreel, John, a Flemish artist, 130. 
Schithlein, Hans, 124. 
Schwanthaler, Ludwig Michael, the works of, 63, 
64. : 
Sculpture, or the plastic art, province of, 3,4; state 
of, among the Hindoos, 4,5; among the Medes 
and Persians, 5, 6; among the Babylonians 
and Pheenicians, 6, 7; among the Egyptians, 
7-10; among the Etruseans, 11, 12; among 
the Greeks, 12-24; among the Romans, 25- 
28; the subjects of, in antiquity, 28-44; gra- 
dual decline of, under the Roman emperors, 44, 
45 ; rapid advance of, in Germany in the twelfth 
and thirteenth centuries, 49, 50; deplorable in- 
fluence of Lorenzo Bernini upon, 54, 55; con- 
dition of, in modern times, and enumeration of 
the principal seulptors, in Italy, 55-57—in 
France, 57-60—in Germany, 60-64—in Eng- 
land and Denmark, 63-67. 
Sebastian of Murano, 94. 
Sebastiano del Piombo, 96. 
Selene, how distinguished from Artemis, 38. 
Selinuntie, sculptures at, 14. 
Semitecolo, Nicoletto, 94. 
Senis, Agostino and Angelo de, early Italian 
sculptors, 51. 
Sennefelder, the inventor of lithography, 172. 
Seurre jeune, a French sculptor, 58. 
Sicyon, the school of, 22. 
Siderography, or steel-engraving, 170. 
Sileni, the, artistic representations of, 35, 36. 
Silhouette, the, invented by Dibutades, 13. 
Sinibaldo of Perugia, 81. 
Sirens, the, artistic representations of, 37. 
Sleep, representations of, by the ancients; 38. 
Soldering, the art of, invented by Glaucus of 
Chios, 13. 
Solimena, Francesco, 109. 
Sosos of Pergamus, the maker of the first mosaic 
pavements, 74. 
Spagnoletto, 109. 
Spain, sketch of the history of painting in, and of 
the principal painters, 109-111. 
Spartacus, the, of Fogatier, 58. 
Squarcione, an early Italian artist, 80. 
Stamps, the art of engraving, 162. 
Starnina, Gerardo, 110. 
Statues, materials, design, and general execution 
of the ancient Egyptian, 9; bronze, of the 
Etruseans, 11 ; no mention made of, by Homer, 
13 ; origin of terminal, ib.; of Phidias and his 
school, 17, 18; of Scopas and Praxiteles, 20, 
21; of Niobe and her children, the Farnese 
Hercules, and the Laocoon, 20-22; portrait- 
Vil 
statues, 23; the Venus de’ Medici, 24; of the 
Roman emperors, 26 ; principal characteristics 
of the, of each of the twelve gods of Olympus, 
29-35—of the minor deities, 35-39 ; historical 
representations and portrait-statues of antiquity, 
42 ; various, by Nicolas of Pisa and other early 
Italian masters, 50-52; by Michael Angelo, 
52,53; by Benvenuto Cellini, 53,54 ;, by Giam- 
bologna and his contemporaries, 54; by Ber- 
nini, 54, 55; by Gougeon, Pilon, Pigalle, &c., 
57, 58; by David, 59, 60; by the Duchess 
Marie of Orleans, 60 ; by Dannecker, Schadow, 
and Tieck, 61, 62; by Rauch, 62, 63; by 
Schwanthaler, 63, 64; by Flaxman and Ca- 
nova, 64; by Thorwaldsen, 63-67. 
Steel-plate engraving, 170-172. 
Stefano of Florence, 87. 
Stephan, Master, of Cologne, 122, 123. 
Stippling, 166, 168. 
Style, definition of, 3. 
Suabian school of art, the, 123. 
Subleyras, Pierre, 116. 
Sun-god, the, artistic form of, 38. 
Surlin, George, a German sculptor, 60. 
Tafi, Andrea, 79. 
Tapestry, the Bayeux, 111; the Gobelin, 113. 
Tarufh, a contemporary of Cignani, 108. 
Tectonics, province of, 3. 
Testelin, a French artist, 113. 
Theatres, ancient, 185, 186; of the Greeks and 
Romans, 186, 187; of the Middle Ages, 187; 
of the present day, 187, 188; proper form of 
the spectatory, 188; principal dimensions of 
the stage, 188, 189; the substructure of the 
stage, 189; construction of the stage, 189, 190; 
the framework of the roof, 190, 191; the wings 
and wing-carriages, 191; wing-ladders, 191, 
192; drop-scenes and drop-curtains, 191, 192; 
machines used in, 192-194; the illumination 
of, 194, 195. 
Theft of the Tripod, the, an early Greek relief, 
16. 
Theodan, a French sculptor, 58. 
Theodoric, king of the East-Goths, encouragement 
of art by, 47. 
Theodorie of Prague, 121, 122. 
Theon, a contemporary of Apelles, 73. 
Theophanes, a Greek painter of the Middle Ages, 
vie 
Theseus, sculptured metopes of the temple of, 18 ; 
the figure of, fashioned after that of Hercules, 
Al. 
Thorwaldsen, sketch of the life and works of, 64— 
67. 
Tieck, Christian Frederick, the works of, 62. 
Tiepolo, Giovanni Battista, 99. 
Timomachos of Byzantium, pictures by, 74. 
Tintoretto, sketch of the life and works of, 97, 
98. 
Titian, sketch of the life and works of, 95, 96. 
Titus, the arch of, reliefs on, 26; paintings from 
the baths of, 76. 
Tizianello, a son of Marco Vecellio, 97. 
Tomaso, an Italian artist, 87. 
Toreutics, or the art of chasing, 11. 
Trajan, reliefs on the column of, 27. 
Trippel, Alexander, the sculptor, 56. 
Tritons, the, representations of, 39. 
Ubertino, the brothers, Italian artists, 81. 
Ugolino, Andrea, an early Italian sculptor, 51. 
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