12 



HISTORY OF GARDENING. 



Part I. 



observes the autlior of the Historiml View, tlie striking resemblance which Pliny's 

 gardens bear to the French or Dutch taste. The terraces adjoining to the house ; the 

 lawn declining fronn tlience ; the little flowei-garden, with tlie fountain in tlie centre ; 

 the walks bordered with box, and the trees sheai-ed into whimsical artificial fonns ; toge- 

 ther with the fountains, alcoves, and summer-houses, form a resemblance too striking to 

 bear dispute. " In an age," observes LordWalpole, " when architecture displayed all its 

 grandeur, all its purity, and all its taste ; when arose Vespasian's amphitheatre, the 

 temple of Peace, Trajan's forum, Domitian's bath, and Adrian's villa, the ruins and 

 vestiges of which still excite our astonishment and curiosity ; a Roman consul, a polished 

 emperor's friend, and a man of elegant literature and taste, delighted in what the mob 

 now scarcely admire in a college-garden. All the ingredients of Pliny's garden corre- 

 spond exactly with those laid out by London and Wise on Dutch principles ; so that 

 nothing is wanting but a parterre to make a garden in the reign of Trajan serve for the 

 description of one in the reign of King William." — The open country round a villa was 

 managed, as the Roman agricultural writers inform us, in the common field system lately 

 prevalent in Britain ; there were few or no hedges, or other fences, or rows of trees, but 

 what was not under forest was in waste, with patches of fallow or corn. Thus it appears 

 that the country residence of an ancient Roman, not only as to his garden, as Lord Wal- 

 pole has observed, but even as to the views and prospects from liis house, as Eustace 

 and Mai thus hint, bore a very near resemblance to the chateau of a French or German 

 nobleiiian in the 18th century, and to not a few in France and Italy at the present day. 

 — The same taste as that displayed by Pliny appears to have prevailed till the fall of the 

 Roman empire ; and by existing in a faint degree in the gardens of religious houses 

 during the dark ages, as well as in Pliny's writings, has thus been handed down to 

 modern times. 



44. The progress of gardening amo7ig the Homans was much less than that of architecture. 

 Professor Hirschfield remarks (Theorie des Jardins, torn. i. p. 25. \ that as the descriptions 

 of the ancient Roman authors make us better acquainted with their countiy-houses than 

 with their gardens, and as the former appear more readily submitted to certain rules than 

 the latter, we are apt to bestow on the gardens the reputation which really belongs to the 

 country-houses, and give the one a value which does not belong to tlie other. The 

 different manner in whicli the ancients speak of country-houses and of gardens, may 

 lead us to judge which of the two objects had attained the highest degree of perfection. 

 The descriptions of the first are not only more numerous but more detailed. Gardens are 

 only mentioned in a general manner; and the writer rests satisfied with bestowing appro- 

 bation on their fertility and charms. Every country-house had its gardens in the days 

 of Pliny ; and it is not too much, taking this circumstance in connection with the re- 

 marks of Columella, to hazard a conjecture that even the Romans themselves considered 

 their gardens less perfect than their houses. Doubtless the Roman authors, so attentive 

 to elevate the glory of their age in every thing concerning the fine arts, would have en- 

 Varged more on this subject, if they had been able to produce any thing of importance. 

 To decide as to the perfection which a nation has attained in one of the arts, by their 

 perfection in another, is too hazardous a judgment ; the error has been already committed 

 inregai-d to the music of the ancients, and must not be repeated in judging of their gardens. 

 The Romans appear in general to have turned their attention to every thing which 

 bore the impression of grandeur and magnificence ; hence their passion for building 

 baths, circuses, colonnades, statues, I'eservoirs, and other objects which strike the eye. 

 Besides, this taste was more easily satisfied, and more promptly, than a taste for plant- 

 ations, which required time and patience. In all probability the greater number contented 

 themselves with the useful products of the soil, and the natural beauty of the Wews, 

 bestowing the utmost attention to the selection of an elevated site commanding distant 

 scenery. — Cicero (De Legg. iii. 15.) informs us that it was in their country- villas that 

 the Romans chiefly delighted in displaying their magnificence ; and in this respect, the 

 coincidence in habits between ourselves and that gi'eat people is a proud circumstance. 



45. The Roman taste in gardens has been condemned as winatural ; but such criticism 

 we consider as proceeding from much too limited a view of the subject. Because the 

 Roman gardens were considered as scenes of art, and treated as such, it does not follow 

 that the possessors were without a just feeling for natural scenery^. AVhere all around 

 is nature, artificial scenes even of the most formal description will please, and may be 

 approved of by the justest taste, from their novelty, contrast, and otlier associations. 

 If all England were a scattered forest like ancient Italy, and cultivation were to take 

 place only in the open glades or plains, where would be -tlie beauty of our parks and 

 picturesque grounds ? The relative or temporaiy beauties of art should therefore not be 

 entirely rejected in our admiration of the more permanent and absolute beauties of nature. 

 That the ancient Romans admu-ed natural scenery with as great enthusiasm as the 

 moderns, is evident from the writings of their eminent poets and philosophers ; scarcely 

 one of whom has not in some part of his works left us the most beautiful descriptions 



