dn noTf/\f?^e 

 noTCJUT gTi ne 

 cnoq HTT<ie(iHT) 

 «nenxoeic (ic) 

 ixh nn((-:6)ne((5) 

 nT<iT2ifq n 

 6ì neT0Td<i6 . 

 OT2i6 nceJunujA 

 d.n noT(5on6 

 kotì" «juoot 

 erpe nzoeic ic 



Tddq ndK ftW 



negooT efjGr 

 juLdv nre neK 

 ?*dc iuri n€K(aH)T 

 k6o . jTjnKCUj 

 TJÙt HTOK end! 



ze judfnnoov 

 ?^d5dpoc ncen 



THHSe MJULOOT 



nqnSe nd?»dc 



Xe -f AAOKft 6iUd 



Te gi* neiKtugr 

 juH OTpujjme d 

 nroq ne riT(e)K 

 ee . dpd nfn 

 Hne dn THpn e 

 XfcSou e6o?\8i 

 fn jieiujdze 

 juLmiTeSHin 

 iÌTd nTd?^di 

 ncupoG erS 



JUdT XOOT . 



pOV T pf 



ì T • • ^ r 



PAPIRI COPTI DEL MUSEO TORINESE 



eneqo' Tenor n 

 xoeio enKdg th 

 pq il enepe n 

 rÌKd n\ix coovg 

 egOTn ndq i» 

 jutdT . dTO) eneT 

 ndzt ?\ddT n 

 TOOTq en*-;q 



ndTddV THpOV 



dn ne . nqr** 

 tyezn ?\ddT end 

 gOT ojdgpdf ev 

 cdxeepe cydn 

 fqge evnd' ftpdi 



eXpOJKg JULlAOq 



"TT riTOK te cu n|Tju. 

 ^ judo' npeqzin 



(Jone nOT(K) TH 

 pOV COOTg egOT 



eTKH egpdi 



gd T€Ke'^OTCrd 



eJULfi ?\ddT o' n 

 zoeic epooT . 

 OT2ie jtxxxn ner 

 nd((J)tJua;T ìsl 

 neKOTpoT eK 

 ajdn^ . dTtu 

 nefKHdTddT 

 THpov evnd 

 ziTOT egorn 

 endgujujp n 

 Tne . ncecyuu 

 ne ndK nge?^ 



T 



niC 6TKH ndK 



Fol. LXVIII. 

 pH egpdi gn Tiun 

 Tepo niÀnHTe 

 eKtJu6(aj) UM.OK 

 fju(ju.e n€)Tp 



6pUJg . ngHKH 

 Al« dTCU qiAOKg 



rigHT ze qcudT 

 lÌTegpe ixn «6 

 cub . nnoTTe 

 ?^Tner ezn Teq 

 JurtTgHKe . 

 fÌTOK ha H£{r) 

 (j)pdne . dTO) 

 (lacuna di 3 linee) 

 nnovTe €k 

 coorn dn ne . 

 eKCUjGe nccuq 

 cctjufie nccjuK 

 (g)a)Uj(K) n6f Tco 

 ^rd «nnoTTe 

 eTzd; juiiAoc ze 

 eneiZH diAiOTTe 

 epcufn uj npijt 

 jutdo' npeqzin 

 (Jone epnziKdr 

 on dTOJ ncyujcy 

 egoTn eTn 

 gjuigd?\ «ne 

 (lacuna di 2 linee) 

 cydZfi e6o?\ 

 ze eTCTnd 



T 



