No. 61.— 1908.] KANDYAN MUSIC. 135 



Third part. 



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The first part is stepped with the left foot, accompanied by 

 movements of the left hand ; the second part with the right 

 foot, accompanied by movements of the right hand; and the 

 third part with both the feet with movements of both the hands. 

 Under this tola, the first in order, over two hundred adawwa 

 dances have been composed. This as well as the other tdlam 

 is played on her a, &c, as well as danced. 



The following is a sawudama that is only played, but not 

 danced : — 



Kdlakuta Sawudama. 



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Each pada, each wannama, each £a£a has a distinguish- 

 ing name ; and most of these a prefatory g% or havi, giving 

 instructions as to how it should be executed, its origin, or a 

 challenge to the rival player. 



Specimens of all the instrumental tunes need not be 

 given. The following is the Sumanardja sawudama, the tune 

 of which is the Mini wannama ("pealing of a bell"). 



The tune " td nd ne — tana nd nd — tana" 



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I am playing the Sumanardja sawudama, which musically is 

 as melodious as the vind music of the celestial goddesses for 

 the enjoyment of the assembled great from different countries. 

 Why, oh ! why, do not the Dewanganas from the celestial regions 

 come down to dance as they did on the occasion of the vind 

 contest ? 



