The Secret of Bulb Culture 



By WILHELM MILLER. Editor of the "Garden Magazine" 

 VERY year we Atiierieans spend alxiut two iiiillion dollars for bulbs, without realiziii<j the out- 

 fundamental fact about them that makes for quality. While we can increase the size of the 

 flowers and profoundly affect the depth and purity of their colors by cultural skill, all the time, 

 money and loving care that we bestow upon them will never increase the number of flowers. 

 That is all determined when we buy the bulbs. 



To convince ourselves of this, all we have to do is to cut open a bulb and, if we have patience and a good 

 magnifying glass, we can count every blossom which that bulb had the possibility of making. 



The moral is obvious: pay more and get better bulbs. For there- is no comparison between the pleasure 



one gets out of a bulb that gives 

 ns one solitary daffodil and a 

 bulb that produces three to five 

 of these glorious golden trum- 

 pets, each flower of which meas- 

 ures four inches across. 



The kind of crocuses you 

 usually buy produce only two or 

 three flowers. A first-size cro- 

 cus bulb should measure three 

 inches in circumference and pro- 

 duce four to six flowers. And so 

 it goes. You may lavish daily 

 care for months upon an ordi- 

 narv hvacinth bulb and j'ou will 



Planting Table for bulbs 



never have anything that you 



can show with pride to your neighbors. But think of a hyacinth with eighty-three bells! That would be 

 something to exclaim over. You wouldn't have to apologize to your callers for the condition of your flowers. 

 You wouldn't have to "wonder why" they were not better. The "secret" of bulb culture is that charming 

 little mystery wrapped up in the heart of every bulb — the lumber of flowers it intends to show. 



How can one tell a quality bulb ? As a rule, the bigger the bulb, the more the flowers and the higher 

 tiie price, but — that isn't all ! You want a bulb that is heavy for its size. It is the solid, close-grained bulb 

 that has the hardiness to resist wet and cold; it is the loose, sappy one that falls an easy prey to disease. 



The other secret of bulb culture is to get a wonderful root growth in the fall before the stem begins to 

 shoot up. A cool, dark place will fix that. Bulb culture is really "too easy." Beginners do sometimes fail, 

 but that is usually because they put the bulbs in too heavy soil. Bulbs have one weak point. They are 

 sensitive to stagnant water. Put a little sand under each bulb, if you are in doubt, or, better still, throw out 

 the heavy soil to the depth of two feet, put in a layer of broken bricks or stones for drainage and fill in 

 with good soil. And so I say the real secret of bulb culture is to buy the very best bulbs. It costs the 

 Dutchmen more to raise first-class bulbs than ordinary bulbs, and we can never expect to have quality flow- 

 ers unless we pay a fancy price. The price of bulbs is too cheap in this country. Our standards are too 

 low. The prices of general merchandise have advanced all along the line. (Everybody knows that. We all 

 know that the cost of living is higher.) Bulbs and seeds and plants have not advanced, but they must, 

 because our standards are advancing. The American people want the very best of everything, and they are 

 willing to pay for it if the thing is so much better that every one can see it at a glance. 



