74 Professor Buhler's Remarks 



Same" other classes of books deserve the particular atten- 

 tion of Oriental scholars, as they contain large and import- 

 ant additions to the hitherto known stock. Firstly, 

 amongst the dramatic compositions we find no less than 

 eighteen titles of new plays, most of which even were not 

 known to exist. I here give these titles in alphabetical or- 

 der and as spelt by Mr. Taylor : — 



1. Ananga Brimhavidyavilasam (read Brahmavilasa) 

 Cat. R. vol. II, p. 363. 



2. Ananta jivanam by Atreya-Varata(?)-cavi I, 82. 



3. Jagan mohana (fragment) II, 43. 



4. Camalina Calahamsa II, 362. 



5. Lacshmi-svayamvaram (read Laxmisvayamvara) by 

 Srinivasa Cavi I, 81. 



6. Misra bhanam (read Mi^abhana ?) by Gunda R£ma, 

 II, 363. 



7. Mucundananda bhanam (read Mukundananda bhana) 

 by Mucundananda II, 359 or according to II, 363, 368 by 

 Casi pati (read Kacipati.)* 



8. Naracasura vyayoga by Dherma cya vidhuvan(?) 

 I, 12 or according to II, 42, 360 Dhermasuri(?) 



9. Nagananta (r$ad Nagananda) by Sri-Harisha (£ri- 

 Harsha) I, p. 82. 



10. Narayani-vil6sa n£tacam(?) I, 81. 



11. Prahasnam (read Prahasanam) II, 360. The true 

 title is probably left out, as Prahasana is the name of a class 

 of dramatic compositions. 



12. Prasanna RSghavam by Jayadeva, I, 82,11, 43, 359, 

 360, 401. 



13. Ranga n£t'ha prahasnam (read prahasanam) by Ran- 

 ganat'ha, II, 368. 



* A copy whicli lately came into my hands shows that it was composed 

 by Kacipati. 



