74 Professor B'uhler's Remarks 



Some' other classes of books deserve the particular atten- 

 ion of Oriental scholars, as they contain large and import- 

 tant additions to the hitherto known stock. Firstly, 

 amongst the dramatic compositions we find no less than 

 eighteen titles of new plays, most of which even were not 

 known to exist. I here give these titles in alphabetical or- 

 der and as spelt by Mr. Taylor : — 



1. Ananga Brimhavidyavilasam (read Brahmavilasa) 

 Cat. R. vol. II, p. 363. 



2. Ananta jivanam by Atreya-Varata(?)-cavi I, 82, 



3. Jagan mohana (fragment) II, 43. 



4. Camalina Calahamsa II, 362. 



5. Lacshmi-s vay am varam (read Laxmisvayamvara) by 

 Srinivasa Cavi I, 81. 



6. Misra bhanam (read Micrabhana ?) by Gunda Rama, 

 II, 363. 



7. Mucundananda bhanam (read Mukundananda bhana) 

 by Mucundananda II, 359 or according to II, 363, 368 by 

 Casi pati (read Kacapati.)* 



8. Naracasura vyayoga by Dherma cya vidhuvan(?) 

 I, 12 or according to II, 42, 360 Dhermasuri(?) 



9. Nagananta (read Nagananda) by Sri-Harisha (£ri- 

 Harsha) I, p. 82. 



10. Narayani-viMsa n£tacam(?) I, 81. 



11. Prahasnam (read Prahasanam) II, 360. The true 

 title is probably left out, as Prahasana is the name of a class 

 of dramatic compositions. 



12. Prasanna Raghavam by Jayade'va, I, 82,11, 43, 359, 

 360, 401. 



13. Ranga nat'ha prahasnam (read prahasanam) by Ran- 

 ganat'ha, II, 368. 



, * T ,f ? op ? which latel y came into m y llands show s that it was composed 

 by Kacipati. 



