tUt of pious fcttifftug. ?b«*a isn't a sincere figure in any one If faw 
— that is i| the sacred subjects. It isn't just crude drawing or 
painting, nor the absurd anachronisms--! realise the things 
painted for churches to reuse religious feelings, not as illuetr* 
tions— -hut they are cant put into paint . 3Sf faces ft, the ftrgla 
and women saints are as inane as the faces on out masasina covers 
today. $yt$tf that to ene with imagination and any fa dins would 
he terribly cruel, such as the crucifixion, ,taa martyrdom tf 3t. 
Sahartion, are depicted as affectedly as if the charac 
r c 
pl aying at suffering. rhere is a picture hy Peru^ng t* the vxr. 
Ha an a oliilcl with at* 8eba»ti*xi full of arrows st&Gdlrjg Dosida , 
hsr, Sb« l©o1t?i on poor Sebastian quite calmly anca. a lxtiu< 
9 e itiH!o is 1 T&i dl Y ttlJKtftS ^ 0%?ix3f& 1x6&y#ii t til* sxrrcwE clou * t 
"b0t^i6rii55\ "him i&ucii • ol$ ;jo,si: 4 i,;; &t tho 02 
ion rear an expression of gentle sadness, as thfr might rtgax^ 
mirffcted h^rd r rhis xigE't vailing affectation tarries oTer into 
•»% *n -a 
•1 ffi 
HP 
piotur** not sao?e&« 2h#r# is 
:1b which TflKUP Bta^2i:n^ in a 8*a9hall has th 
eyen has tho conventional kneolr-toddd band to h&T lag preval- 
iif ooong saint 8 . (Shis oracl of ilit l#i stor Tires today in ax 
f«f flirr»<*a shiwlnf* -^&tt€*rnf8 « it is ft character -'larjcei wIIm^ 
convent! onali ty apparently) Bill modestly Mdes a bi;s »x bm 
anntcn^ -grith a otrand af li#r Mir — Venur* of all i-^opldl It 
was 0. rali&£ to ,0ut int# tbi gallery with the ola ^onan 
maxbl#G s •« decantly uno©nsaiGus of t'hotr iraaity* I' ^ ^ ^ 
into th« fr»ah air fron a f*tii4 a';;i.;;)oplier^a A 
1 4 V* 
few non-religious pictures were honest , Saph&el ' s ?ope - 7 tu- 
ius nnrt5 culnrlv* Just one Holy Family is fres fro:.i cant t 
a, rclatiTely small round picture hy ',5ichelani:elo. 
ouearlv arounad and the mother would have a cran:p 
•hey are 
