FLOOR.] 
KOUYUNJIK GALLERY. 
93 
No. 2. A galley, with a beak, propelled by two banks of rowers. 
Nos. 4-8. A series of slabs, mutilated in the upper part, which 
commemorate apparently the expedition of Sennacherib into Southern 
Babylonia against Merodach Baladan, the same king, apparently, who 
is mentioned in Scripture as having sent letters and a present to 
Hezekiah, and to whose messengers the Jewish monarch exhibited all 
the treasures of his house. The campaign is represented in the bas- 
relief as occurring in a marshy district ; a stream, probably that of the 
Tigris or Euphrates, is seen filled with islands overgrown with reeds, 
or jungle ; in the water appear numerous fish and crabs ; upon the 
islands many of the enemy have taken refuge, whilst the Assyrians 
pursue them in boats ; and to the right (Nos. 6, 7, 8), on the banks 
of the stream, are collected the prisoners and spoil. 
Nos. 15, 16, 17. A series, of which the upper portion is lost, repre- 
senting the return from a battle. 
Nos. 20-29. Part of a series, representing the siege of a fortified 
city by the Assyrians. The city is seen on Slab No. 25, planted on a 
high dome-shaped hill, whilst the assailants advance on each side to 
scale the walls with ladders. On Nos. 27-29 are represented the 
results of the contest, the triumph of the besiegers, and the col- 
lection of prisoners, apparently Jews, and spoil. The whole of this 
series is blackened by fire. 
Nos, 34-43. Part of a series of sculptures which originally lined the 
two walls of a long narrow gallery, leading, by an inclined plane, from 
Kouyunjik towards the Tigris. On the one side, descending the slope, 
were fourteen horses, led by grooms ; on the other, ascending into the 
palace, were servitors bearing food for a banquet. The figures are 
somewhat smaller than life, designed with much freedom and truth ; 
and by comparison with the Panathenaic frieze in the Elgin Ptoom, 
they may furnish a good point of view for estimating the capa- 
bilities and defects of Assyrian art. No. 39, on which is seen a 
marshal or chamberlain with a staff, was originally placed, as here, at a 
projection in the wall. Amongst the attendants or servitors, represented 
on Nos. 41-43, is one bearing in each hand a rod with two rows of 
dried locusts, which are to this day used as food by the Arabs. The 
other attendants carry wine-skins, birds, pomegranates, and other 
fruit. 
No. 44. A semicircular-headed slab, with a small mutilated figure, 
standing before a table of offerings, near which are various symbols. 
Next follow six slabs (No. 45—50), of a hard, fossiliferous 
limestone, and of which the surface is in high preservation. 
They were sculptured under Assurbanipal, and represent the 
victories of that monarch over the Elamites, or inhabitants of 
Susiana. 
The first three slabs, Nos 45-47, represent a battle between the 
forces of Assur-bani-pal and, Te-umman King of Elam, on the plain 
