fl. i^loral G[iiiile. 
BEST SHOW VARIETIES. 
A ll Flowers with ground colours lighter than that of the tips arc show kinds, and are included 
with the self-colours in this class. 
1. ADMIRATION — Yellow ground, edged 
and mottled lake, very pleasing. 
2. ALEXANDER CRAMOND — Shaded 
maroon, a most striking flower, very large, always 
ready, grand. 
4. AURORA — Golden huff, distinct new 
colour, of good form. 
5. ANNIE GIBBONS — Primrose, shading 
off to a fawn colour, good form. 
6. ANNIE NEVILLE— White. ■ 
7. BUGLEMAN — Dark maroon, shaded I 
bright crimson. 
8. BURGUNDY — Rich dark puce, suffused 
with purple-maroon. 
9. BARONESS BURDETT-COUTTS— [ 
Pure yellow, large. I.'-. 
12. COUNTESS OP RAVENSWORTH— 
Creamy white, lightly tipped lilac, high centre 
U. 
13. CREAM OP THE VALLEY— Cream 
colour, with a slight tinge of salmon. !.«. 
U. CHAMPION ROLLO — Large dark 
orange, with a lighter shade on the edge of the 
petals, a fine bohl flower. 
15. CRITERION — Delicate rose, alarge,fine, 
back tier flower. 
16. CARDINAL — Rich scarlet, full size, fine 
form, good habit. 
17. CELESTIAL — French white, of good 
form and substance ; constant. 
19. CLARA — Rosy peach, large constant 
flower. 
20. CHARLES LEICESTER — Bright 
scjirlct. 
21. CANARY — The finest yellow; a large 
noble flower. 
22. CONSTANCY — Yellow, tipped crimson ; 
very constant and line. 
24. DEWDROP — Dark primrose, neat and 
pretty. 
2.1." DUKE OP ALBANY — Rich crimson, 
of fine form ; free. 
26. DUKE OP CONNAUGHT — Dark 
crimson, sometimes shaded purple ; good , 
form. 
27. EARL OP RAVENSWORTH— Beau- ! 
tiful light lilac. 1 
28 ETHEL BRITTON— Blush white, edged 
with reddish purple, a yery pleasing colour, fine 
form. 
29. PALCON — Light fawn colour, constant, 
fine form. 
30. PRANK RAWLINGS— Rich purple- 
miigenta, jicrfect form and outline. 
31. PLAG OP TRUCE — Beautiful white, 
occasionally lipped lilac. 
32. GEORGE RAWLINGS— Dark maroon, 
full sized flower. 
33. GOLDPINDER— Yellow, tipped red ; 
largo and fine shaped flower. 
34. GEORGE SMITH — Bright magenta, 
fine form. 
35. GRAND NATIONAL — Fine large 
yellow, of good form. 
36. HARRY TURNER — V cry dark maroon, 
nearly black ; constant. 
37. ' HARRISON WEIR— Rich clear yel- 
low. l.v. 
38. HOPE — Light rosy lilac, large and 
constant. 
39. HENRY WALTON— Yellow ground, 
heavily edged with vermilion ; fine. 
40. HERBERT TURNER — French white, 
with soft tinge of lilac ; noble flower. 
41. HENRY BOND— Bright rosy lilac, full 
size, of grand build. 
42. HON. MRS. P. WYNDHAM— Yellow 
ground, deeply edged with ro.sy purple. 
43. IMPERIAL — Rich deep jmrple, shaded 
lilac. 
44. JAMES HUNTLEY — Purple, equal to 
J. Cocker, but an earlier bloomer and quite 
distinct. 
45. JOHN HENSHAW— Rich ruby crim- 
son, deep, full, and fine. 
46. JAMES GILBERT — Dark maroon- 
crimson. 
47. HARRY KEITH — Rosy purjile, a large 
fine flower, constant, l.v. 
48. JOSEPH B. SERVICE — Deep yellow. 
Prince. Arthur type, but much larger. 
49. JAMES VICK — Purplish maroon, colour 
intense, very full. 
51. JOHN WYATT — Crimson-scarlet, extra 
fine form and petal. 
52. JOSEPH ASHBY — Shaded orange ; a 
beautifully formed flower, very constant. 
53. JOHN STANDISH— Bright red, large 
and constant. Fine form. 
54. JULIA WYATT— Creamy white, large. 
Is. 
55. JOHN N. KEYNES— Light yellow 
moat constant of the yellows. 
56. JAMES COCKER— Purple, very con- 
stant. 
57. JOHN W. LORD— Shaded orange-buff, 
lighter in colour on the surface. 
58. JOHN BENNETT — Yellow, deeply 
edged scarlet. 
59. JOHN HARRISON— Yellow ground, 
tipped and pencilled light crimson. Is. 
60. LIZZIE LEICESTER— Pink, curiously 
jiencillcd ; prettv and constant. 
61. LADY G. HERBERT— AVhite, deeply 
edged with crimson. 
( 100 ) 
