277.*tMRS. HUTT. 
27H. MISS TAIiPOURD. 
279. PERFECTION 
280. SAK4MON. 
281. STELLA. 
282. TROPHEE. 
283. “SNOWDROP. 
284. “ YELLOW SNOWDROP,’ 
“PRIMROSE LEAGUE." 
POMPONS. 
With flowers larger than preceding class. These are excellent for large specimen plants. 
285. “ADONIS. 
28G. AUTUMNUM. 
287. a BLACK DOUGLAS (Cannell). 
288. “BROWN CEDO NULLI. 
289. “CAPTAIN NEMO. 
290. CRAVACTION. 
291. “CRIMSON PERFECTION. 
292. COMETE BIELA. 
293. »tDUPONT DE L'EURE. 
294. EXPOSITION DE CHALON. 
295. »tELEONORE. 
29R. ECLIPSE. 
297. FEU D’AMOUR. 
298. “+PANNY. 
299. “FLORENCE CARR. 9<7. 
300. *tGOLDEN MDLLE. MARTHE, sun. 
MISS OUBRIDGE. 
301“tGOLDEN CEDO NULLI. 
302. “GOLDEN TREVENNA. 
303. GOLDEN ST. THAIS. 
304. JAMES FORSYTH. 
305. LE PARNASSE. 
30(>.“fLILAC CEDO NULLI. 
307. L'ORANGERE. 
308. LA FAVORITE. 
309. luA puret:6. 
310*tMDLLE. MARTHE. 
311. MAIDEN’S BLUSH. 
312. aMAID OP KENT (Cannell,'. 
313. MDLLE. MARIGNAC. 
314. MDLLE. ELISE DORDAN. 
315. ORANGE BEAUTY. 
316. tPRINOE VICTOR. 
317. “tPRESIDENT, sun. MR. MURRAY 
318. PURITY. 
319. tPYGMALION. 
320. tROSINANTE. 
321. “ROSE D'AMOUK. 
322. “ROSE TREVENNA. 
323. RUBRA PERPECTA. 
324. “tSAINT MICHAEL. 
325. STRIATUM ELEGANS. 
326. SUNSET. 
327. SAINT THAIS. 
328. VOLCAN. 
329. *WILLIAM WESTLAKE. 
330. “WHITE TREVENNA. 
331. “tWHlTE CEDO NULLI 
332. NELLY RAINPORD 
333. VICTORINE. 
334. WM. KENNEDY. 
33.5. “WM. SABEY. 
Established Plants of all Chrysanthemums not priced, 6d. each. Cuttings, purchaser s 
selection, 2 s. per doz., except those priced higher; our selection, is. 6d., los. per loo. 
Cuttings of new varieties at a proportionate price. 
All are flowered yearly on purpose to keep them true to name. Always a large quantity of 
btock Plants ready for propagating or Jor growing into specimen and flowering plants. 
JAPANESE CHRYSANTHEMUMS. 
SECRETS IN COMPETITION. 
Although the Japanese do not require to he made as nniform as if they had been cast in one mould, 
like the incurved and recurved, yet they require similar arrangement, so that they each present a 
regular and pretty form, whatever their natural shape may be. Massiveness and great depth of 
flower 18 most appreciated ; flat hollow centres and undecided colours should be avoided. No model 
can be set np in this section as the one required. Yet whatever style of twisting, curling, or 
recurving best suits the variety, to assist that growth of the flower to develop itself, and when done. 
It must be snch as the eye will cause the tongue to say, “That is pretty; I like that variety.” 
It generally follows, what pleases the public pleases the judges, and that is the secret of success 
340. AMIRAL AVELLAN. 
341. AUTUMN TINTS. 
342. *ALICE SEWARD. 
343. ABBE MENDENHALL. 
344. AIDA. 
345. ALBERIC LUNDEN. 
346. “ALBUM PLENUM. 
347. “ALBUM STRIATUM. 
348. ANNA HARTZHORN. 
349. AVALANCHE. 
350. BOULE D'OR (Ino.). U-. 
351. “BARON DE FRAILLY (Improved) 
352. “BEND OR. 
( 48 ) 
