I AV at* It's 
or an honcft indignation 5 and then he will eafily 
obferve how much his features there furnifii a text 
for interefting comments ; according as the lines 
are marked with faint darkidi fhades, and fuch deli- 
cate touches as exprefs the fined fenfibility, or ii> 
fpire the higheft reverence with the mod tender af- 
fedtion. 
Painters are too carelefs in making thefe particu- 
lar didindtions, to avoid the famenefs that marks 
their mader-pleces with cold looks, or mere pic- 
tures of men, without their charadters and leading 
padions. 
Dimples* are like wife didinguilhing perfedtions; 
not peculiar to the fair fex alone, being occafioned 
by the relaxation of two mufcles entwined. It 
would 
♦ON SMILES. 
The man ’wfeo wears no fmiles upon his face. 
Nor blufhes with the fpur of confclous love, 
But Ihews a monkey’s grin, as knaves will do, 
Looks down with frowning brows like Death for 
And views with envious eyes another’s joys ; 
Nay» he admits no mufic in his foul, 
Nor is he mov’d by honefty of heart 
To feel the pleafures of a focial hour, 
Or fplit his fides with laughter-loving dames, 
Who fpread the graces on their dimply cheeks, 
Coramunicating wit iq fport and glee ; 
prey. 
