BULLETIN OF THE NATURAL HISTORY SOCIETY. 
116 
Indian Point, Grand Lake, by members of the 'Summer Camp, 
1893. The design is unique and effective, made by a three- 
toothed indenting tool drawn obliquely across the surface. The 
implement was then drawn at right angles across the first imprint, 
producing the design shown in the figure — a row of heavy per- 
pendicular markings run round the inside of the rim. 
Fig. 8. A very interesting fragment from Princess Park. 
Twenty-three pieces of this vessel were found. The clay is of 
excellent quality, with a medium amount of fine tempering. The 
entire outer surface was rocked over with a fine-toothed tool, 
after which the stylus was used in making a number of heavy 
dashes on the body of the vessel. One inch from the top is a 
horizontal row of imprinted marks. From this row to the rim 
of the vessel is a series of oblique lines, with a row of dots on 
the rim. The design is an effective one, and proclaims the 
marker no novice in the potter’s art. 
Fig. 9. This Maquapit Lake sherd shows four horizontal 
lines of ornamentation, each of which was made by a six-toothed 
indenting tool rocked over the surface. The same implement 
has been used marking the top and inner surface of the pot. 
Fig. 10. In this fragment, part of the design is somewhat 
obscure. The clay has been lightly marked with an indenting 
implement, after which the potter has made a number of holes ; 
these are in twos, and are about one-eighth of an inch in depth, 
and probably were continued round the vessel. The rim is orna- 
mented with oblique markings, as shown in the figure. 
Fig. 11. From Princess Park. — Again the design is rocked 
on, after which the lines are made with the stylus. 
Fig. 12. Seven pieces of this vessel were collected at Maqua- 
pit Lake by Mr. Duncan London. It is remarkable for the pro- 
jecting rim, this being the only vessel in the collection with a 
rim of this description. The pattern has been stamped on with 
a toothed-indenting tool. The hole near the rim has been made 
after the pot was burned. Fig. 43 is a restoration from these 
fragments. 
