4S 
LANDSCAPE GARDENING. 
The earliest professors of modern Landscape Gardening 
have generally agreed upon two variations, of which the 
art is capable — variations no less certainly distinct, on the 
one hand, than they are capable of intermingling and com- 
bining, on the other. These are the beautiful and the pic- 
turesque : or, to speak more definitely, the beauty charac- 
terized by simple and flowing forms, and that expressed by 
striking, irregular, spirited forms. 
The admirer of nature, as well as the lover, of pictures 
and engravings, will at once call to mind examples ol 
scenery distinctly expressive of each of these kinds of 
beauty. In nature, perhaps some gently undulating plain, 
covered with emerald turf, partially or entirely encompassed 
by rich, rolling outlines of forest canopy, — its wildest ex- 
panse here broken occasionally, by noble groups of round- 
headed trees, or there interspersed with single specimens 
whose trunks support heads of foliage flowing in outline, 
or drooping in masses to the very turf beneath them. In 
such a scene we often behold the azure of heaven, and its 
silvery clouds, as well as the deep verdure of the luxuriant 
and shadowy branches, reflected in the placid bosom of a 
silvan lake ; the shores of the latter swelling out, and reced- 
ing, in gentle curved lines ; the banks, sometimes covered 
with soft turf sprinkled with flowers, and in other portions 
clothed with luxuriant masses of verdant shrubs. Here are 
to the Park. The flat of the terrace, being laid out either in the most formal 
and precise parterre, or in extremely rich and intricate beds of arabesque pat- 
terns in scrolls, to resemble carpets. In either case, great use is made of 
statues and fountains, very elaborately and artistically designed and executed, 
and of Portugal Laurel, trimmed up to imitate orange-trees in tubs ; as, also, 
of the Irish and Golden Yew, and other pyramidal evergreens, either planted in 
the ground, or in boxes, and, also, of different-colored gravel in the division 
of the beds, the whole producing, when seen from the windows of the house, 
a brilliant combination, which, with the soft, verdant park as a background, is 
inexpressibly gay and effective. — H. W. S. 
