THE NATIONAL GALLERY OF ART 
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Interior, by Vischer, after Ostade; a Family Concert, by J. G. 
Wille, after G. Schalken; Holy Family, by B. Desnoyers, after 
Raphael; Holy Family, by unknown artist; Aurora, by Ralph 
Morghen, after Guido. Etchings . — Christ healing the sick, by 
Dick; Cows, by Roos; Horses, by Paul Potter; Fireside, by 
Boissieu; Goats (two), by Berghem; eleven etchings by Rem- 
brandt; eleven etchings by Ostade and others; twelve etchings 
by Clodowiecki. Mezzotint . — An Old Beggar, by Townley, after 
Dante. Figures in marble and plaster . — Antique marble head of 
Ceres; cast of a bas-relief of “Phoebus” from a marble found in 
the ruins of ancient Troy, in 1873, by Doctor Schliemann; mar- 
ble bas-relief of a Bacchante; copy of the Venus de Medici; 
Sleeping Child ; The Hunter with birds and game ; female sitting, 
with two infants; female recumbent, with a lamb; female 
crouching; female nude, half rising; two females standing; me- 
dallion of William Wilson ; equestrian statuette of Andrew Jack- 
son; statuette of the Duke of Orleans; statuette of Daniel 
O’Connell; statuette of a boy holding a ewer; wooden model of 
the Nelson monument in London. Plaster busts. — Washington, 
Baron Cuvier, Laplace, Dixon H. Lewis, Peter Force, Benjamin 
Hallowell, E. K. Kane, Thomas Le Clear, Ferdinand Pettrich, 
Mrs. F. Pettrich, Gustave Adolph Pettrich, six small busts of 
F. Pettrich’s children. The Nativity and Adoration of the 
Kings, by Heinrich Goltzius. Bruggemann Album of Photo- 
graphs, illustrating the altar screen in the Cathedral at Schleswig. 
With a few exceptions, these objects remained at the Corcoran 
Gallery until 1896, such as were suitable for the purpose being 
placed on exhibition and listed in the catalogues. In the same 
year such parts of the Marsh collection as could be located at 
the Library of Congress, then in the Capitol building, were also 
brought back to the Institution. 
After the deposit in the Library of Congress and the loan to 
the Corcoran Gallery, such specimens of art as remained were 
for the most part distributed among the offices, though many 
of the busts were placed on the tops of cases in exhibition 
halls. Besides a number of prints which had been framed for 
hanging on the walls, however, there was little of real merit 
left, and most of the objects have since been assigned to their 
appropriate places in the Museum classification. At this period 
