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THE NATIONAL GALLERY OF ART 
Whistler, James Abbott McNeill — C ontinued. 
Pastels — Continued. 
Venetian Courtyard. 
Doorway. 
Resting. 
A Study in Red. 
Blue and Rose — The Open Fan. 
Drawings and Sketches — 
One hundred and thirteen drawings and sketches in chalk, 
pencil, ink, sepia, pastel, crayon and water color, and one album. 
Wood Engravings — 
Three wood engravings after designs by Whistler. 
Etchings and Dry Points — 
Three hundred and ninety-six subjects, of many of which there 
are from two to five impressions, making the total number of pieces 
six hundred and twenty-five. 
Lithographs — 
One hundred and sixty-six subjects and one hundred and 
ninety-four impressions. 
Original Copper Plates — 
Thirty-eight plates (including “The Thames Set” of sixteen 
plates, of which there is an impression from each plate printed 
after the plates had been defaced, and the Coast Survey plate). 
The Peacock Room — 
The complete woodwork, including all decorations of the Pea- 
cock Room, the famous creation of Whistler in the London resi- 
dence of the late F. R. Leyland. 
Oriental Art 
(Of periods from before the Christian era to the Nineteenth Century.) 
Paintings — 
Collection of early Persian and Indo-Persian paintings. 
146 Japanese and 4 Chinese screens. 
70 Japanese and 40 Chinese panels. 
272 Japanese and 173 Chinese kakemono. 
15 Japanese and 140 Chinese makimono, or scroll paintings. 
4 albums of Japanese pictures on paper and fans, and 29 albums 
of Chinese pictures principally on silk and paper. 
13 Tibetan paintings. 
