THE NATIONAL GALLERY OF ART 
143 
Nichols, Henry Hobart. 
Bom, Washington, D. C., May i, 1869. Pupil of Howard Helmick and 
Art Students’ League in Washington; Julian Academy and Castellucho in 
Paris. Second Corcoran prize, 1901, Parsons prize, 1904, first Corcoran 
prize, 1906, Wash. Water Color Club; Parsons prize, Soc. Wash. Artists, 
1902. A. N. A., 1912; member, Soc. Wash. Artists; Wash. Water Color 
Club; N. Y. Water Color Club. Specialty, landscapes and illustrations. 
Studio, Bronxville, N. Y. 
MOONRXSE AT OGUNQUIT. 
Signed. On canvas, 37X H., 36 W. 
Ochtman, Leonard. 
Born, Zonnemaire, Holland, Oct. 21, 1854; settled at Albany, N. Y., 1866. 
Self-taught. Prize, Brooklyn Art Club, 1891; medal, Columbian Exp., 
Chicago, 1893; gold medal, Art Club, Phila., 1894; silver medal, Pan-Amer. 
Exp., Buffalo, 1901, and Charleston Exp., 1902; Morgan prize, Salma. 
Club, 1902; Shaw fund prize, Soc. Amer. Artists, 1902; Inness gold medal, 
Nat. Acad. Design, 1903; Evans prize, Salma. C., 1903; Webb prize, Soc. 
Amer. Artists, 1904; two gold medals (oil and water color), St. Louis Exp., 
1904; second Corcoran prize, Soc. Wash. Artists, 1905; Rhead purchase, 
Richmond (Ind.) Art Club, 1905; Inness prize, 1906, Evans prize, 1907, 
Salma. C.; medal of second class, Knoxville Exp., 1911; silver medal, 
Panama-Pacific Intemat. Exp., San Francisco, 1915. N. A., 1904; member, 
Amer. Water Color Soc. ; N. Y. Water Color Club ; Soc. of Landscape Painters; 
Brooklyn Art Club; Nat. Inst. Arts and Letters. Specialty, landscapes. 
Studio, New York. 
MORNING HAZE. 
Signed and dated, 1909. On canvas, 30 H., 40 W. 
Ranger, Henry Ward. 
Bom in western New York, Jan., 1858. Mainly self-taught, but studied 
in France, England and Holland. Represented in several important 
collections in the United States and Europe. Bronze medal, Paris Exp., 
1900; silver medal, Pan-Amer. Exp., Buffalo, 1901; gold medal, Charleston 
Exp., 1902; gold medal, Amer. Art Soc. Phila., 1907. N. A., 1906; member, 
Amer. Water Color Soc.; Nat. Arts Club, N. Y. Specialty, landscapes. 
Studio, New York. 
ENTRANCE TO THE HARBOR. 
Signed and dated, 1890. On canvas, 17X H., 24 % W. 
CONNECTICUT WOODS. 
Signed and dated, 1899. 
21394 °— 16- — 10 
On canvas, 28 H., 36 W. 
