160 
THE NATIONAL GALLERY OF ART 
Institution in 1862. The painting bears the signature of the 
artist as above and the date. He was probably Ralph Earle, 
the fifth in succession of that name, who studied in London, 
1809-10, and after his return to the United States married a 
niece of Andrew Jackson. He was for a time a member of the 
President’s household in Washington, and is recorded as hav- 
ing painted a portrait of the President. 
Elliott, John. 
Bom in England, Apr. 22, 1858. Bnpil of Julian Academy and Carolus 
Duran in Paris; Jos6 di Villegas in Rome. Subjects chiefly portraits and 
mural decorations. Served with the American Red Cross Association in 
Italy in 1908-9; was architect of the American village Messina, etc., and 
received a silver medal and Order of the Crown of Italy; Comdr. Royal 
Order of Isabella the Catholic. Studio, “Oak Glen,” Newport, R. I. 
DIANA OF THE TIDES. A mural decoration. 
On canvas, 11 ft. H., 25 ft. W. 
Gift of Mr. and Mrs. Larz Anderson, 1910. 
Etex, Antoine. 
Bom in Paris in 1808; died in 1888. He was a sculptor, painter, archi- 
tect, engraver and writer on art subjects, but worked chiefly as a sculptor. 
A SCENE FROM THE STORY OF THE “GENTLEMAN OF FRANCE.” 
Signed. On wood panel, 6 H., 11 W. 
Gift of Mr. Nathan Appleton, of New York, 1903. 
Fitzgerald, Harrington. 
Bom, Philadelphia, Pa., Apr. 5, 1847. Pupil of Isabey and Fortuny in 
Paris; George Nicholson in Philadelphia. Gold medal, Amer. Art Soc., 
Phila., 1902; bronze medal, Charleston Exp., 1902. Member, Amer. Art 
Soc. (pres.), Fairmount Park Art Assoc., Sketch Club, and Pen and Pen- 
cil Club, of Philadelphia; dir. School of Industrial Art, Pa. Museum. 
Specialty, landscapes. 
THE WRECK. 
Signed. On wood panel, 27 H., 41K W. 
Gift of the artist, 1913. 
Greenough, Horatio. 
Bom, Boston, Mass., Sept. 6, 1805; died, Somerville, Mass., Dec. 18, 
1852. He displayed a marked taste for sculpture as a youth. Going to 
Europe in 1824, he studied for some time in Paris and Rome, finally set- 
