The Arte of 
tDljifljeuoecomeofolite ofcentpmegikffer, asi to 
o:raffe a bouglj, fo? often it fo Ijappenetb, a man fljall fiim of 
©alettes 0) epes Ijaroe bp tbc oloe fienber tnooD.pet better it 
mere to cut them of mitb tbe olbeuioou , aim eboofe a better 
aiiDfaire place atfoine otljer epe nitbefame nraffe , aim to 
make pour incifmn tljere bnber , as afojefaicD , aim cut pciur 
jjraffes in makpun; tbeinciiion’on cbconcnDenarrome, aim 
on tbe other fine bmbe , aim tbe inner a&e tbinne , aim tbe out 
fme tbicke , becaufc tbeoucrmc'(dfpcurn:raffe)inuftiopne 
mitbin tbe cleft, mitl) tbe fappeo? barkc o^f tbemilbe ftocke, 
aim it (ball fo bee fet in : fee alfo tljat pe cut it fniootb as pour 
rleftes are in tbe (focke, in iopnpng at euerv place botbe ku n 
ano clofe, aim cfpeciallp tbe iopntes o} ro^ners of tbe graffes 
on tbe bean of tbe ftocke, mbirbe nuift be meft ano cleanc parco 
befo?e,anri then fet faft tbereoii. 
Horv to cHtgntffes for Cheries and ^lummes. 
1 % is not mufbc retjuiftte in tbe ll)ealnie Cberie , foj to 
iDpnetbeg:raffes(iutbeftocke)ti)boIp tbmugbottt,as it is 
in others, o? to cut tlie graffes of greate Cbcries, Dam* 
foils d;i piunimes,fo tbinue aim platnc as pc mate other graf* 
fcs,fo]i tbefe fo?te bauc a mo?e greater fappe o? pitbe miibin, 
the mbifbe pe muftaliuaies takebeeoeincuttpngitto n%b 
on the one fioejO? on the otber,but at the eime thereof cbieflp, 
to be tbinne cut aim fiacf* 
Notealfo. ' 
A .r^Dpetif tbe fafeDinciftcnbce mnm ftraigbteranb 
clofer on tljc one fioe then on tbe other tm , parte it 
mhere it is moft meet e, ano mijerc it is to ftraigbt, o* 
penitmitba meoge of^ironsaimput uu meoge of tbe fame 
inocm nboueiii the cleft, aim thus inaie pe moDcrate pour 
gratfes as pe njall fee caufe. 
How in graffyngto take heede that the 
' harkedofKOtrife 
J ^ aUkiimeofcuttingpourgraffes^cakcbecDeto tbebarke 
of pour graffes , that it ooe not rife (from the Uiooo) on no 
fiDetbcrcof,anD fpeciallp ontbecucrme.rberfo^e’pc fl;aUleauc 
