50 The Arte of 
bccasigrcate asJ j)our (Sraffetbat j^oii 6 ra{Fcon^ pefbaTl 
ciittc tljein lobJcrbcttDtyt djc olD lyoou anb tbc neuie,o? a Ut^ 
tie mo?c Iiisl3er50>lau)er:tljeu cleauc a little, anb cboofepauc 
(fiJraffes lit the IiUc foitc, luhidje pc uioiilD pianCjboIjf rcof pe 
fljallmaketbcinciQon 0}o?t2 , U'ltij tlje barke on botbeaoes 
Iike,ano as tl),tcke on tke one fise as tke other, anb fett fo iu 9 e 
itt the clefte,that the harke mate bee eiten ano fIofe,as.U)cri a* 
koue as beneath, on the one fibf as the Dth:r,anD fo hinbe hpm 
as is afoiiefeieb. Jt fl;ail lufftrc that currp ©raffe haueaii op- 
jetaO) epe, 0? moo at the niotie, mithout the ioj nt , fojito 
icauethem toDlcno: it HjaU net beeo:oob,anb pemuSb^eCTe 
it 'a)ith Clape anb %oflc , aub binbe it, as is afojielaiEb. 
likeboife pc mate 0 ral?e thefe , as pc boe the little miibc (toc^ 
kes,\ohiche fl;oulb bcensrsteatr as pour ^raffes , anbta 
©raffe them jas pc doc thofe loith ^appe like on bothe fibes, 
but then pemuft graffetheminthepearth, asth^ee ftngers 
ofjOj there aboutes. 
fThe mtfier of Gmffyngfts of Graffes whiche 
mdicbcefittfihetvpixt the barks 
and the T ree, 
*rograjfe betwixt the barbs 
^ud the tree, 
l^ts mancr of (Sraffpng is goob, tnhcu 
bcebcginneto enter into their ^appe, mlncbe 
i0,aboute the enbc of jrebniarieabnto tlje enbc 
of 3 p)iil,aiib fper iallp on greate unibe ftoekes, 
mljiflK lice barb tocIeauc,pe maie fctinfoiner 
01 flue 6 raffes in the hebbe t ht rcof,U)i)ichc 6 rafffs ought to 
becgathcrebafoie, anb kcptc clofe in the pearth till then, foj 
bp that tpmcafo?efaieb,pe (hall fcantlp finbe a ^rce^but that 
lj?baethptttfa?theoihubbf,asthe ^pple ttillcb Capendu^oi 
fadjc like , |?c mult therefore fa\»c thefe Poilbe (lotkes moje 
chnrilp,anb mojs Ijigher/o thei bee sreate,anb then cutce the 
(Sraffegi 
