5^1. The Arte of 
uoeHjta&e pour (Dteloe o? ^cutcbiort,b|) opict 
0? ep e that Ije open Inm fairc am fot'tlp bp tbc 
tbjaoCoes, anoput them llcaigijt luaie on tbe other 
treejtobcrcas the Imrke is taken of,ano iopne bini clofe bavkc 
to barketbeicon jthen plaiue it foftip aboue ano at botbe the 
enoes toitb tbc tbinne banCjano that tbei iopuc abouc ano be* 
neatb barke to barke ^ fo tl;at be mate feebe bjcll the b^auuebe 
of that tree* 
Hoy^ to hinde on your fhielde* 
T II;>is tioenjpc mull baue a m^eatbe of goob ]|)ettip?3 to 
binbc the laico ibicloe on bis place : tlje manerta binbe 
it ia tips , pe (bail make a U)?eacb of ilpcmpe together 
as greacc as a (Soofe quil!>oj there aboutes , o? acco?bpng to 
the bigneife o> fmalnelTc of pour tree: then take pour i^empe 
in the miDil , that the one halfc mate feme fo? the bpper haifs 
of the (bieloe^in \uinbpng anb croirpng(iuith the l';)empe)ehe 
faicD (bteloe^on the h;taimrh of tlte ^nree^Out lee that pe-binbe 
it not to ft raightjfot it (hail let hpm from taking o? fp^inpng, 
sab Itketeife their fappe cannot cafilp come oi paffe from the 
one to the other lanD fcwlfa that \uet com? not to pour Ibiflb, 
ijoj Ukeinife the ilpenn^ binDeitU'itball , pc iballhe- 
gtnne to btubepoiir^ut^on firftbehinbc in the mibbeft of 
pour (biclsejin cottinumg ftUl loioec ano loui’er, anb fo reco* 
uer bKber the opie t ann taile of pour fipelse , binbpng it ingh 
togetbers,untboiitrecouerpngofthe raiebopleCjtheu pe (baft 
return? agaitie bppjarbf ,Ui binbpng (c bat kiuarbc to the mtb# 
beft lube rc pe began^tShe^akr t!)? other part of the ^penipe, 
anb binae fo likeuufc the (iper parte of pour Ibielbe , anb en« 
creafe pourlpeinpeaspc fijailnccbe , anb fo retunie agai'ne 
backuiarbe^anb pe fttall bince it fo^tift the fruites o? cleftes be 
couereo ( botlie aboueanb beneath J miih pour faieb Cpempe, 
creepe the opict anb his taiie,the luhiche pe inuft not ccuer,foj 
that tail? mill ftjeb apartc^if the (btcibe boe take* 
Ou offff 7 rooyo waiegraffe or ^'Ut tiva 
orthrffejhtc/def^ 
I 
