m 
i 6 
The Arte of 
Y 
To graffe one great Chaie vpon anothrr. 
■(& muff fjnue refpert tint o ttie fjealmc CJjcrrt'e , 
_ 15 graft on t^c tuiioc gopnu? 0 (U)^ic!) to anotijer fepnd? 
ofgrcatCljcrne)? iu^etlterpouDocp^opnctJiem o? not,tt 
ts not matcrtalljfo; tijep cure a iong time . 3i5ut pa muff 
fa to tabe affiap tl;c cions tfiat Doe groiuc from tljc rate of 
tfje iuilDe gopnire, o? luilDe |3lum tra: bicaufe tbep are pf 
nature toiloe,anD doc oj^iue tlic fap from tiie fapoetra. 
4f Of deepe fetting or flialow. 
fet pour ttocHco o? trao fometubat Daper ontfjefite 
1 grounDotbanmtbepaUcpeo, bicaufe tlje^unne ( in 
^^ommer ) Iball not D?pe tbe rote : ano in tije loin grounoc 
mo?e fl^aUotojbpcaufetbe toater in tointer fl^all notojonne 
0 ? annop tbe rotes, ^ome Doe marUe tbe ff ocUe in taUpng 
it bp,anD to fet bttn againe tbe fame luap, bicaufe be lipH 
not alter Jis nature: fo libetuife tbe graffes m graffing, 
’The fourth Chapter doth fhevee hovue 
of proyning the meaner cyons. 
j vjijuioerie , iije ig icwj 
tbe ^ uince tra^tbe ^eruice tra,tbe pome# 
1 granau tra,tbe ^pple tra,tbe Damfon tea 
auDDiuers fo,US of other plum tree5,as tbe plum trie of 
Paraoife4C» 
T7£>j f 0 fef tbefe fojtes of tras, pe muff cut of tbe cionOj 
r ttoigges Oii bougbeSjbcttDirtaiballototiDeanDcbnff^ 
walTe^notligbtipaftert ^e (ball cbojfe them toblrb^J^ae 
great 
ipg 
