3 ° 
The Arte of 
Note alfo* 
tj^erefojc to^cn Ifocfee is rigi&fl^ clouen , t^ere 
A wnotaunger in cutting tljc iminonoftte grafife,but 
^ ^a ftraigbt rebateo , to tl)C cnoe thereof . that tbc 
fappe mape iopne one tuifb tlje other, the better ano clofer 
togpther. 
Howe ye ought to dravve out your wedge. 
TT rl^en pour graffesf thall be tucll iopneo toithm the 
VV ifocb,D:aUje pour iuttige fap^e } fofflp fojth,foj feare 
of Dtfplactng pour graffeo , pe map leaue tuithin the e left a 
fmall lueoge of fuche granetocDtJ, as io afojefapoe , ano pe 
fhall cut it of clofe bp the heao of pour ftocUe , ano fo couer 
it ioith a barfee ao foUolneth . 
To coucr your eleftes on the head. 
TTTi^enpourtneDge ioD^atonefo^th > putagraneppH 
VV of thpeUe barte of tuiUoto,erabbe,o;^ apple, hpon pour 
tleto of fte ftocfee,that nothing mape fall betbotene : then 
couer all about thecleftcoonthettocfeehcao tbuo fpngers 
thiefee buith gooo clape,o; npeabout that thicfeneCTCjthat no 
bopnoeno.j rapnemape enter. SDhen eouer^it rounoe butth 
gooo moire,ano then bojeth it ouer boith elf^es^ oj pilleo of 
?iaiiillobDe,b5.:par,of ^jiars!,o^fuch Ipfee, then biiioe them 
fa(te,ano fttebe eertapnelong pjpeUeo on thegraffes: heaoe 
amonges pour Cpono . t o oiifcnDe them from the Crotoes, 
3apes,o^fuchlpUe. . 
Howyc ought to fee to the bynding 
... of your gratfes. 
B tmC altuapco take gooo htfcoe toxhe bpnomg of pour 
hcoojthat thep buarc fiaclie,o’ ihagge, nepther on the 
one fpoc 0,2 oti)er,but remaiue falfopo the clap, iuhtch 
elap remapnes fall (Ipljcboife on the Hocfec heao) hnoer the 
bpnoing thereof, buhkefo^e, the fapo clape mull hemdoera* 
teo in fuch fo^t ass foUobueth* 
Howe ye ought to temper your claye, * 
tpe bell buape i$ therefore . to trpe pour clape betbuirt 
1 pour hanoee,fOj^ notice ano fuch lpbe,ano fo to temper 
it 
