[ 6 « 1 
COLOURING 
I S not h€re to be underflood, as only the putting in the Colours prcfent«d fcf 
Nature on the Flowers •, but iikewife the Shadowing thofe Colours, in fisfe 
a Manner, as to have the fame Effcd in the inner Parts of the Flower, as the 
UuMar^ h^ to the Extremities, It is a general Rule m Painting, th^ 
^ ^ flioiM coTiK in froin the Left-Hand i and, confequendy, dK 
Kight-bide of the Obje<a muft appear darkeft ; But the Thinnefs of th^.; 
J’iials ,in^foine Flowers, admitting the Light through them, there w 21 bap-, 
pen necefiary Li^ts to be ftewn, tho* on the Right-Hand Part of 
riewex i which, in .a more folid Subftance, would appear ablblately dark. 
The Omits of the Work, and as I prcfiime, the Students Defire to coi^ 
to the praaical Part, occafions the being as briefs pofftbkr on the Theory d 
the Study. The Painter, who may perhaps ftnile at the Plainnefs and ice^ 
cd SimpFidty of thefc Inftrudions, fliould confidcr that this is a Work^ 
• already Artifts, but an Invitation to the young 
lijftn^ed Admiren of Paioting to the Pradicc of this deiightftil Branch of k* 
"The prmipsl COLOURS sfed in FLOWER- FAINTING. 
mise^ Flake- White. 
Reds,- Carmine, Lake, Vermtifion, Rsi Lead* 
RW, Ukiaaariae, Bice, Pn^fiai^ Blue, Indko. 
Grem, 
^mbo^ lories. 
^fees^ • — ' Gdi-Stw^ ■ ^ ■' ■ ■ 'T'k' 
M/Mck, Imimnlnk. 
* ROiu k ^ T«to liM ia Setaay to expiefs that or 
^ kch cosepok the to make ufe of thk cneT* 
y k &C«BSjrfc Ais Work, 
