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Gitemraldo, of the Frog-Raven phratry. His work: 
The pole of Kwawhadaq (Wolf phratry), at Hazelton (Plate XXVI, figure 1) 
Tseegwee or Isaac Taens, of the Fireweed phratry, formerly of Gitsegyukla, 
who died a few years ago. His work: 
Spawrh’s totem pole (Wolf phratry), at Hazelton (Plate XXI, figure 5) 
A Qaldo Carver 
KwikihVwans, of the Frog-Raven phratry, who carved Kweeyaihl’s pole of 
Tsenaanurh (Fireweed phratry), at Kispayaks. The treatment is 
archaic (Plate XVI, figure 5; Plate XVII, figure 1) 
Haqwelget or Carrier Carvers 
Pees, who carved the pole All-frogs of Kweenu (Frog-Raven), at Gitwinlkul 
— an excellent carving, if actually by him;^ or Kweenu’s No. 5 (Plate 
IV, figure 2) 
Samalee, who carved the Eagle (or Grouse?) at the top of Beenee’s pole, at 
Hagwelget (Plate XXIX, figure 4) 
Ahyewis, who carved the Beaver that used to form part of Beenee’s pole, 
at Hagwelget, and was later placed on Beenee’s grave. 
Tselee, who carved the “Fungus” that used to form part of Anklawrh’s 
pole at Hagwelget 
Unidentified 
There is no indication as to who carved two of the most interesting 
poles of the Gitksan. 
The pole of the Bear’s-den of Sqayaen (Eagle phratry), at Kitwanga. 
This entrance pole, recently restored, is one of the most archaic on 
the Skeena. It is presumably not the work of a local artist (Plate 
XXXIII, figure 1) 
The pole of Kyawlugyet (Wolf phratry), at Qaldo; remarkable, not par- 
ticularly on account of the quality of its carving, but because it is 
the remotest from the seacoast, and also one of the tallest and most 
ancient (Plate XXXIII, figure 2) 
>He may simply have "stood over" a carver. 
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