936 Wisconsin Academy of Sciences, Arts, and Letters. 
<CURSUS IN DIE PASCHAE> 1 
<In I Vesperis> 
(fol. 175 V , col. 1) Super psalmos ferrulcs: Aeuia, aeuia, 
aenia. P salmus: Confiteant ur, cum eel iquis. Versus: In 
resurrectione tua, Xp iste. Celum <et terra letentur>. 
< Antiphona ad Magnificat >: Vespere autem sabbati, 
que lncescit in prima sabbati, uenit Maria Magdalena et altera 
Maria uidere sepulchrum, aeuia. lost Peixemcamus, de 
Sancto• i Geo<egio> Antiphona: Qni manet in, ueL Anti¬ 
phona: Iste sanctus. <De> Michahele <antiphona> : 
Michahel arch angelus, cum Alleluia. <De> louannB 
Bapt ista Antiphona: Iustum deduxit. Pet ri et Pauli 
<antiphona> : Si manseritis. De Apos^olis <anti- 
phona> : Alleluia, ego sum. <De> Steph ano Anti¬ 
phona: Iustus autem. De ALartyniBus <antiphona> : 
Eulgebunt. i. <De> Martino < antiphona >: Amauit. 
<De> Benedict < antiphona > : Beatus uir q ui in via. 
De Cari'FESSORiB^ Antiphona: Sancti et iusti. De Vimm- 
ibus < antipiiona> : Prudentes, cum Alleluia. 
<Ad Matutinum.> 
iNuiTa/ormm: Aeuia, aeuia, aeuia. 
In Primp Nocturno. Antiphona: Ego sum qui sum, et 
consilium meum non est cum impiis, sed in lege Domini 
uoluntas mea est, aeuia. P salmus: Beatus uir. P salmus: 
Quare frem<uerunt>. P salmus: Cum inuoc<arem>. 
relations of sermons to vernacular drama in Italy is discussed by V. 
Bartholomaeis, Ricerche Abruzzesi, in Bulletino deTV Istituto Storico 
Jtaliano, no. 8, 1889, pp. 137-159. See also pp. 82, 101. Cook’s two 
articles (Journal of Germanic Philology, iv, 421-451, and v, 62-64) 
on the dramatic element in patristic literature seem to have proved 
nothing definitely concerning the immediate sources of mediaeval 
drama. References for further investigation are furnished by Rand, 
p. 268, and by Huhne, loc. cit., p. Lxiii. 
1 Munich, Staatsbibliothek, cod. lat. 23037, fol. 175 v- 178 r. To aid in¬ 
vestigators I present the entire cursus of Easter. 
