213 
No. 48—61. Fourteen plaster casts, composing the 
remainder of the frieze at the west end of the temple. 
(A. 75—88.) 
No. 62 —90. That portion of the same frieze which 
enriched the south side of the temple. It represents a 
procession of victims, charioteers, and horsemen, and 
is very similar, in its general character and appearance, 
to the frieze on the opposite or north side. With 
respect to the victims, we do not possess any that were 
on the north side of the temple; but that they formed 
a part of the procession on that side, as well as on the 
south, cannot be doubted, since Stuart, in his celebrated 
work on Athens, has engraved a fragment of one of 
them. The figure sculptured at the end of No. 90, (on 
the right of the entrance,) belongs to the eastern por¬ 
tion of the frieze. No. 62 was presented by R. C. 
Cockerell, Esq. (40*, 41, 41*, 38**, 46, 50, 47, 52, 
40, 42, 49, 45, 48, 43, 44, 51, 38***, 53, 54, 58, 55, 
15*, 57, 59, 61, 60, 58, 96, 62.) 
The sculptures which follow, from 91 to 106, are 
from the pediments of the Parthenon. Nos. 91 to 98 
are from the eastern pediment, on which was repre¬ 
sented the birth of Minerva. Nos. 99 to 106 are from 
the western pediment, on which was represented the 
contest between Minerva and Neptune for the honour 
of giving name to the city of Athens. These sculp¬ 
tures are placed in the order in which they originally 
stood in the building. 
No. 91. The upper part of the figure of Hyperion 
rising out of the sea. His arms are stretched forward, in 
the act of holding the reins of his coursers. This figure, 
which represents the approach of Day, occupied the 
angle of the pediment on the left of the spectator. (65.) 
No. 92. The heads of two of the horses belonging 
to the car of Hyperion. They are just emerging from 
the waves, and seem impatient to run their course. (66.) 
No. 93. A statue of Theseus, the Athenian hero; 
he is represented half reclined on a rock, which is 
covered with the skin of a lion. Theseus, it is well 
known. 
ELGIN 
SALOON. 
Antiquities. 
