No. 55— 68. Casts in plaster from the frieze of room xiv. 
the Pronaos of the temple of Theseus. The sub- antiquities. 
ject of this frieze is a battle fought- in the presence 
of six divinities, who are represented sitting in the 
midst of the combatants. 
No. 69—73. Casts in plaster from the frieze 
of the Posticus of the same temple. The subject 
of these sculptures is the battle of the Centaurs and 
Lapithje. 
No. 74—88. Casts in plaster of the whole of 
the frieze at the west end of the Parthenon; these 
casts are arranged in the order in which the original 
marbles were placed in the temple. 
■ No. 89—97. Casts in plaster of the frieze of the 
Choragic monument of Lysicrates, commonly called 
the Lantern of Demosthenes. The subject of this 
frieze is the story of Bacchus and the Tyrrhenian 
pirates. 
Nos. 98, 99. Casts, in plaster, from one of the 
ends of the celebrated sarcophagus in the cathedral 
church at Agrigentum, which represents the story 
of Phsedra and Hippolytus. Phaedra is here re¬ 
presented surrounded by her female domestics^ and 
plunged into grief at the refusal of Hippolytus, , 
which has just been communicated to her. The 
attendants are endeavouring in various ways to 
console their mistress, and some of them attempt 
to alleviate her distress by the sounds of their in¬ 
struments. 
K 
The 
