169 
No. 19. A bas-relief, representing a candela¬ 
brum lighted for a sacrifice. On each side stands 
a priestess, who with one hand supports the sa¬ 
cred fillets which decorate the candelabrum, and 
with the other hand raises a small portion of her 
robe, like the figure of Hope on coins of the 
Roman Emperors. PI. xii. f. 19. 
No. 20. Ditto, representing Machaon, after 
he has been wounded. He is supposed to be 
sitting in the tent of Nestor, who is adminis¬ 
tering a potion to him, as described in the Xlth 
book of the Iliad. The females in attendance 
are slaves. PI. xii. f. 20. 
No. 21. Ditto, representing Bacchus and a 
Faun ; the former holds a thyrsus in his left 
hand, the latter carries a torch in his right 
hand, and an amphora on his left shoulder. PI. 
XIII. 
No. 22. Ditto, representing two Fauns, kneel¬ 
ing, one of them playing upon the tambourin, 
the other accompanying him with small mu¬ 
sical instruments called crotala. Between them 
is Ampelus, the lower part of whose figure ter¬ 
minates in branches of the vine. PI. xiv. f. 22. 
No. 23. Ditto, representing two of the Sea¬ 
sons, Spring and Summer. PI. xiv. f. 23. 
No. 24. Ditto, representing Victory sacri¬ 
ficing a bull before a lighted candelabrum, 
which is used as an altar. PJ. xv. f. 24. 
No. 25. Ditto, imperfect, representing Per- 
ROOM i. 
Antiquities. 
sens 
