152 
GALLERY OF ANTIQUITIES. j_ROOM V. 
The bas-relief in front represents the hero Echetles 
fighting with a ploughshare for the Greeks at the battle 
of Marathon. Upon the cover is a recumbent female 
figure. 
No. 22. A sepulchral urn, with an inscription to 
Claudia Fortunata. From the collection of Sir Hans 
Sloane. 
No. 23. A funeral inscription to Lucretia. Presented-, 
in 1757, by Thomas Hollis, Esq. 
No. 24. An Etruscan cinerary urn in baked clay. 
The story of Echetles is represented in front (see No 
21), and on the cover is a recumbent female figure. 
The figures on this monument were originally painted- 
On the upper part of the urn is an Etruscan inscription 
in red letters. From the collection of Sir William Hamil¬ 
ton* 
No. 25. A sepulchral urn, with an inscription to T. 
Sex. Agatha. 
No. 26. A sepulchral vase, in alabaster, with an in¬ 
scription to Flavia Valentina. 
No. 27- A sepulchral urn, with an inscription to 
Junia Pieris. 
No. 28. An earthen olla, similar to those described 
at No. 6. The monumental inscription placed in front 
of it records the name of Opilia Faustilla. 
No. 29. A sepulchral urn, with an inscription to 
Ccelia Asteris. From the collection of Sir William Ha¬ 
milton. 
No. 30. Ditto, with an inscription to P. Octanius 
Secundus. 
No. 30*. A sepulchral vase, in yellow alabaster. 
No. 31. A fragment of a testamentary inscription, 
cut from a sepulchral cippus. 
No. 32. A sepulchral urn, with an inscription to 
Pompeius Locusto, Attilia Clodia, and Pompeius. From 
the collection of Sir William Hamilton. 
No. 33. Ditto, with an inscription to C. Magius Pal. 
Heraclides. 
No. 34. An Etruscan cinerary urn in baked clay. 
The bas-relief in front represents the single combat be¬ 
tween the two brothers, Eteocles and Polynices. The 
two female figures, who are standing near the combat- 
