200 GALLERY OF ANTIQUITIES. [[ELGIN 
clothed in a tunic, and standing in a pensive attitude. 
(229.) 
No. 874. A votive Greek inscription of Antisthenes, 
the priest of Pandion : he was the son of Antiphates, and 
belonged to the tribe of Pandionis. (86.) 
No. 375. A bas-relief, representing a young man 
standing between two goddesses, Vesta and Minerva, who 
are crowning him. (82,) 
No. 376. A bas-relief, representing two divinities, 
namely, Jupiter seated on a throne, and Juno standing 
before him ; the latter is removing the veil from her face, 
as if to address the king of the gods. ( 227 .) 
No. 377. A Greek inscription, imperfect, but of which 
fifty-five lines remain. It is written in the Boeotian 
iEolic dialect, and is a treaty between the cities of Orcho- 
menus in Boeotia and Elateea in Phocis, respecting some 
payments due from the Orchomenians to the Elataeans. 
These payments were for the rent of certain pastures 
which the people of Elataea had let out to the Orchome¬ 
nians. The treaty confirms the payment of the stipulated 
sums, and renews the treaty of pasturage for four years. 
cm.) 
No. 378. A Greek inscription, engraved on two sides 
of a tablet of marble. It is a decree of the council of the 
Boeotians, ordaining the election of three extraordinary 
magistrates, who, in concert with the ordinary magistrates, 
were to take charge of the re-casting of some articles of 
gold and silver, belonging to the temple of Amphiaraus, and 
which had been injured by the effects of time. (302.) 
No. 379. A Greek inscription, imperfect, engraved in 
very ancient characters; it seems to be an inventory of 
some treasures, probably those contained in the Parthenon, 
and which the Quaestors acknowledge to have received 
from their predecessors in the same office. The inscrip¬ 
tion not only fills one side of the marble, but also the 
right edge. (200.) 
No. 380. A fragment of a bas-relief, representing three 
figures sacrificing before an altar. (101.) 
No. 381. A Greek inscription in the Doric dialect; it 
is a dedication to Bacchus, by Alexas the son of Nicon, 
and Cephisodorus the son of Aglaophaedas, who had both 
been victorious in the choruses of men. (83.) 
