155 
No. 7. A bas-relief, representing an engagement be- ROOM I. 
tween one of the Arimaspi and a Griffin; on the left antiquities, 
of the combatants is the bust of an athletic figure, armed 
with a battle-axe. PI. vi. f. 7. 
No. 8. Ditto, intended by the artist as a companion 
to No. 7, and to be joined to it in the manner in which 
it is here seen. The subject in both pieces is precisely 
the same: the bust, however, in this piece is placed on 
the right of the combatants, and is armed with a sword 
and shield. PI. vi. f. 8. 
No. 9. Repetition of No. 6. PI. v. 
No. 10. A bas-relief, representing a head of Me¬ 
dusa, on each side of which is an eagle in the act of 
seizing with its talons, one of the snakes entwined in 
the locks of her hair. PI. vn. f. 10. 
No. 11. Ditto, representing a couple of chimaeras 
lapping water out of vessels held to them by two youths 
who are attired in Phrygian dresses, and are each 
kneeling on one knee. PI. vn. f. 11. 
No. 12. Ditto, representing a female, who seems 
to be overwhelmed with affliction. She is seated, 
and is resting her head upon her right arm, while her 
attendants, from the concern visible in their counte¬ 
nances, appear to participate in her sorrow. This bas- 
relief probably represents Penelope dejected at the de¬ 
parture of Ulysses. PI. vhi. f. 12. 
No. 13. Ditto, imperfect, representing a fragment 
of Medusa’s head, on one side of which is a figure of 
Minerva. PL vm. f. 13. 
No. 14. Ditto, representing the bearded Bacchus, 
and a female attendant on Bacchus, each of them hold¬ 
ing a thyrsus. From the collection of Sir Hans Sloane . 
PI. ix. f. 14. 
No. 15. Ditto, imperfect, representing a head of 
Minerva, and a head of Jupiter. PI. ix. f. 15. 
No. 16. Ditto, representing Minerva assisting the 
Argonauts to build the famous ship Argo. PI. x. 
No. 17. Ditto, imperfect, representing Venus on the 
ocean, riding upon a sea-horse. PL xi. f. 17. 
No. 18. 
