236 
PHIGALXAN SALOON. 
No. 40. Another tile used for the same purpose, but 
on the point of the ridge. From the same temple. 
No. 41. A cast in plaster, from one of the ends of 
the celebrated sarcophagus in the cathedral church at 
Agrigentum, which represents the story of Phaedra and 
Hippolytus. Phaedra is here represented surrounded 
by her female domestics, and plunged into grief at the 
refusal of Hippolytus, which has just been communi¬ 
cated to her. The attendants are endeavouring, in 
various ways, to console their mistress, and some of 
them attempt to alleviate her distress by the sounds of 
their instruments. 
The large fragment of a bas-relief, numbered 166, 
belongs to the Elgin collection : it represents Hercules 
preparing to strike Diomed, king of Thrace, whom he 
has already knocked down, and is holding by the hair 
of his head. 
At the sides of the Saloon, over the Phigaiian frieze, are 
two pediments, of precisely the same form and dimensions 
as those which decorated the eastern and western ends of 
the Temple of Jupiter Panhellenius, in the island of 
iEgina. The ruins of this temple were visited in 1811 by 
Mr. Cockerell and other gentlemen, and extensive and 
careful excavations were carried on, by which all the mem¬ 
bers and details of the cornice and mouldings have been 
ascertained ; and the minute and accurate measurements 
then made have been the authorities from which these 
imitations have been constructed. The greater part of the 
statues which adorned these pediments were at the same 
time discovered, and every circumstance illustrative to 
their original position, with relation to the architecture of 
the temple, was noted with as much accuracy as the case 
would admit. From the notes then made, and from long 
and careful study of the sculptures themselves, and the 
space which they occupied, Mr. Cockerell composed the 
groupes very much in the mode in which they are now ex¬ 
hibited. From the violence with which the temple had 
been destroyed, probably by an earthquake, all the statues 
had been in some degree’ mutilated, and some so entirely 
destroyed that it was in vain to attempt their restoration. 
Those which were capable of repair were committed to 
the hands of Mr. Thorwaldsen, and in uniting the broken 
