SALOON.] 
GREEK SCULPTURES. 
259 
Lanthorn of Demosthenes. The subject of this frieze is 
the story of Bacchus and the Tyrrhenian pirates. (A. 89, 
97, 96/95, 94, 93, 92, 91,90.) 
No. 361. A fragment of a bas-relief, representing an 
elderly man before one of the gods, probably Bacchus, 
who appears to hold a vase in his right hand. (84.) 
No. 362. A fragment of a decree of the people of 
Tenos, in honour of some benefactor, whose name is not 
preserved on the marble. (232.) 
No. 363. A fragment of a public act relating to the 
people of Athens and Myrina. (234.) 
No. 364. A fragment of a public act of the Athenians; 
it consists of twenty-one imperfect lines, and seems to re¬ 
late to the repair of the pavements and roads in the neigh¬ 
bourhood of Athens. (233.) 
No. 365. An architectural fragment, which has x formed 
one of the ornaments of a roof. (243.) 
No. 366. A sepulchral Greek inscription in ten verses, 
of which the first two and the last two are in the elegiac 
measure, and the rest are hexameters. The inscription is 
in memory of a young lady of extraordinary beauty, named 
Tryphera, who died at the early age of 25 years. (152.) 
No. 367- An architectural fragment, similar to No. 
365. (254.) 
No. 368. A Greek inscription relating to Oropus. 
Presented , in 1820, by John P . Gandy Deering , Esq . 
(106*.) 
Nos. 369, 370. Fragments of Greek inscriptions, very 
imperfect. (191, 196.) 
No. 371. A fragment of a bas-relief, representing 
1 Minerva placing a crown upon a person’s head. (89.) 
No. 372. A sepulchral stele with a Greek inscription, 
consisting of four lines and a half, part of which is written 
in prose and part in verse. The inscription informs us 
that the monument was erected by a mother to the memory 
of her two sons, Diitrephes and Pericles, the former of 
whom was a soldier of Pariurn; and also to the memory of 
her daughter, whose name was Agnes, and that of her 
brother, Demophoon, who was a soldier of Pariurn. (172.) 
No. 373. A sepulchral stele. The bas-relief in front, 
)he lower part of which is broken away, represents two 
? emales joining hands, one of whom is seated and veiled. 
