114 
GALLERY OF ANTIQUITIES. 
Nos. 150—152. Three plaster casts taken from the sculptures of 
a rock tomb at Cadyanda, exceedingly interesting from bilingual in¬ 
scriptions in the Greek and Lycian languages, which accompany the 
figures. No. 150, from the panel of the door, represents Salas standing, 
holding an cenochoe. No. 151, females conversing, one of whom is 
named Mesos; and the nursing of a child. No. 152, an entertainment; 
on the first couch to the right recline Endys and Seskos ; in the next, 
Molos or Molas and Kparmos, and two seated children, one named 
Hecatomnas ; under these couches are dogs ; in the next couch reclines 
a female named Sipho, to whom a child, Porlaps, stretches out its arms 
from the next couch,in which are Salas and the female named Mesos; 
beyond these is Eidas, the son of Salas, and two persons, one playing 
the double flute; on the extreme right is a naked figure named ; 
Hecatomnas. 
No. 153. Cast of the inscription of the name of Hector, over a 
fighting warrior; also from Cadyanda. 
No. 154. Cast of an inscription in the language of the ancient 
Lycians, from a sarcophagus at Antiphellus. 
No. 155. Cast of a bilingual inscription in the ancient Lycian and 
Greek languages, from Lavisse, near Telmessus ; it records that Apol- 
lonides and Laparas, son of Apollonides, have made a tomb for them¬ 
selves and their family. 
No. 156. Cast of a bilingual inscription, from a tomb at Antiphellus, in 
the ancient Lycian and Greek languages, recording that Iktasla, a native 
of Antiphellus, had made the monument for himself and his family. 
No. 156*. Fragment of an ancient Lycian inscription, from a tomb 
at Xanthus, being part of a sepulchral formula threatening a fine upon 
any one who shall violate the monument. 
No. 157. Casts from a portion of a monolithic pedestal at Tlos, 
decorated with sculptures representing combats and athletic sports; 
a view 7 of the attack of a city, probably Tlos. The principal hero bears 
the Lycian name Esrasa. 
No. 158. Cast taken from the interior of the portico of the rock 
tomb at Tlos; it represents Bellerophon mounted on Pegasus, hurling 
a lance at the Chimsera. 
No. 159. Bilingual inscription in honour of Pixoaarus, King of 
Caria, B.c. 340. Found near the horse-tomb at Xanthus. (No. 142.) 
No. 160. Cast from the gable end of a tomb ; it represents two 
females, probably nymphs, dressed in short tunics, dancing. 
No. 161. Cast from a tomb ; it represents a gable end, on which 
are two lions devouring a bull, above, a Lycian inscription; from a rock 
tomb near the Chimsera tomb at Xanthus. 
No. 162. Fragment of the corner of a building, with return of egg 
moulding; from Xanthus. 
No. 163, 164. Fragments of egg moulding from a tomb; Xanthus. 
No. 165. Inscription, containing part of a decree of the city and 
archons of Xanthus, dated on the month Lous, the 9th year of Pto¬ 
lemy Philadelphus. Xanthus. 
No. 166. Casts of the sculptures of a rock tomb at Myra, coloured 
to represent its present condition ; on the exterior [a] is a standing male 
figure, apparently a divinity, and on the right hand of it [6] a young man, 
attended by a boy, leaning on a staff, offering a fruit or flower to a 
