GREEK SCULPTURES. 
101 
SALOON.] 
No. 52, 53. Two circular altars ornamented with festoons of flowers 
and fruit, and with bucrania. From the Island of Delos. 
No. 54. Part of a sepulchral tablet of Theophila, a lady. 
No. 55. Pedestal of the statue of Jupiter Urius, which stood within 
the temple of that god at the mouth of the Euxine. The statue was 
dedicated by Philon, son of Antipator, to the god, and was subsequently 
removed by Verres. 
No. 56. Torso of Triton, in alto-rilievo. The lower part of the 
body has been ornamented with metallic w'ork. 
At the sides of the Saloon, over the Phigaleian frieze, are two pedi¬ 
ments, of precisely the same form and dimensions as those w T hich deco¬ 
rated the eastern and western ends of the Temple of Jupiter Panhelle- 
nius, in the island of iEgina. The ruins of this temple were visited in 
1811 by Mr. Cockerell and other gentlemen, and extensive and careful 
excavations were carried on, by which all the members and details of 
the cornice and mouldings have been ascertained; and the minute and 
accurate measurements then made have been the authorities from which 
these imitations have been constructed. The greater part of the statues 
which adorned these pediments were at the same time discovered, and 
every circumstance illustrative of their original position, with relation to 
the architecture of the temple, was noted with as much accuracy as the 
case would admit. From the notes then made, and from long and 
careful study of the sculptures themselves, and the space which they 
occupied, Mr. Cockerell composed the groups very much in the mode 
in w ? hich they are now exhibited. From the violence with winch the 
temple had been destroyed, probably by an earthquake, all the statues- 
had been in some degree mutilated, and some so entirely destroyed that 
it was in vain to attempt their restoration. Those wdiich were capable 
of repair were committed to the hands of Mr. Thorw r aldsen, and in 
uniting the broken fragments, and restoring the parts of them that were 
deficient, that eminent artist has shown the greatest care and sagacity. 
The pediment at the north side of the room is taken from the western 
end of the temple; it contains ten figures, and it is supposed that there 
was originally one more, wlio was stooping down to assist the fallen 
warrior, who is wounded, at the feet of Minerva. The subject is sup¬ 
posed to be the contest between the Greeks and Trojans for the body of 
Patroclus. Ajax, assisted by Teucer and Diomed, endeavouring to 
recover the body, Hector, Paris, and iEneas to seize it. 
Of the figures w 7 hich adorned the other pediment only five now re¬ 
main, and the loss of the rest is the more to be lamented, as the sculp¬ 
tures of this eastern end are of a much higher character than those of 
the western. From the few figures wliich are still spared to us, it appears 
that the subject of this picture was similar to that of the other pediment, 
modified only by the taste and skill of the artist, perhaps the expedition 
of Hercules and Telamon against Troy. 
At the ends of the room are casts of the metopes of the old temple 
at Selinus, wdiic.h are considered some of the earliest specimens of 
Greek art; they represent Hercules and the Cercopes, or two thieves 
of Ephesus ; Perseus, assisted by Pallas Athene, killing the Gorgon 
Medusa, out of w r hom leaps Pegasus ; a female divinity who has killed 
one of the giants; and a figure in a biga attended by tw T o others on- 
horseback. Presented by Samuel Angell , Esq. 
