126 
LYCIAN SALOON. 
named Mesos; and the nursing of a child. No. 152, an entertainment; 
on the first couch to the right recline Endys and Seskos ; in the next, 
Molos or Molas and Kparmos, and two seated children, one named 
Hecatomnas ; under these couches are dogs ; in the next couch reclines 
a female named Sipho, to whom a child, Porlaps, stretches out its arms 
from the next couch, in which are Salas and the female named Mesos; 
beyond these is Eidas, the son of Salas, and two persons, one playing 
the double flute; on the extreme right is a naked figure named 
Hecatomnas. 
No. 153. Cast of the inscription of the name of Hector, over a 
fighting warrior; Cadyanda . 
No. 154. Cast of an inscription in the language of the ancient 
Lycians, from a sarcophagus, at Antiphellus. 
No. 155. Cast of a bilingual inscription in the ancient Lycian and 
Cheek languages, from Lavisse , near Telmessus ; it records that Apol- 
lonides and Laparas, son of Apoilonides, have made a tomb for them¬ 
selves and their family. 
No. 156. Cast of a bilingual inscription, from a tomb at Antiphellus , in 
the ancient Lycian and Greek languages, recording that Iktasla, a native 
of Antiphellus, had made the monument for himself and his family. 
No. 156*. Fragment of an ancient Lycian inscription, being part 
of a sepulchral formula threatening a fine upon anyone who shall 
violate the monument. 
No. 157. Casts from a portion of a monolithic pedestal at Tlos, 
decorated with sculptures representing combats and athletic sports ; 
a view of the attack of a city, probably Tlos. The principal hero bears 
the Lycian name Esrasa. 
No. 158. Cast taken from the interior of the portico of the rock 
tomb at Tlos ; it represents Bellerophon mounted on Pegasus, hurling 
a lance at the Chimsera. 
No. 159. Bilingual inscription in the Greek and Lycian languages, 
in honour of Pixodarus, King of Caria, B.c. 340. Found near the 
Horse-Tomb. (No. 142.) 
No. 160. Cast from the gable end of a tomb ; it represents two 
females, probably Naiad nymphs, dressed in short tunics, dancing. 
No. 161. Cast from a tomb ; it represents a gable end, on which 
are two lions devouring a bull, above, a Lycian inscription; from a rock 
tomb near the Chimeera tomb. 
No. 162. Fragment of the corner of a building, with return of egg 
moulding. 
Nos. 163,164. Fragments of egg moulding from a tomb. 
No. 165. Inscription, containing part of a decree of the city and 
archons of Xanthus, dated in he month Lous, the 9th year of Pto¬ 
lemy Philadelphus. 
No. 166. Casts of the sculptures of a rock tomb at Myra, coloured 
to represent its present condition ; on the exterior [a] is a standing male 
figure, apparently a divinity, and on the right hand of it [6] a young man, 
attended by a boy, leaning on a staff, offering a fruit or flower to a 
veiled female attended by two females, one of whom holds a pyxis; 
on one of the interior walls is a reposing bearded figure, probably 
Dionysos, or Pluto, holding a rhyton in the right and a cup in the left 
hand, on whom attends a boy with wine [of]; on the other interior wall 
