92 GALLERY OF ANTIQUITIES. [ROOM II. 
Terminal head, of bad workmanship; it has been supposed to be 
that of Libera. 
Bust of a child. 
Underneath. —No. 15. The key-stone of a triumphal arch, orna¬ 
mented with a figure of Victory elaborate^ hollowed out between 
the two volutes. This fragment is inserted in a modern pedestal. 
Found in the neighbourhood of Frascati, twelve miles from Rome. 
Pt. 1. PI. xv. 
Above this a monument ornamented with bas-reliefs of birds 
drinking, heads and terms. 
Upon it is a Swan, in Egyptian red marble. Found in a vineyard 
adjoining the Villa Pinciana. Pt. 10. PI. lvixj. 
Front of a pilaster, ornamented with myrtle, olive, and vine branches. 
A Case containing the folloiving articles: —• 
A funeral mask such as was used to cover the face of a female 
corpse. From the collection of Sir W. Hamilton. Votive mask of 
a bearded satyr. Presented hy T. Hollis, Esq., 1765. The left hand 
and part of the arm of Venus, or Psyche, holding a butterfly. Torso 
of a male figure, apparently of Hercules. 
On the Case are the following objects : 
A goat’s head. 
An eagle. 
Underneath, a bas-relief, sacrifice to iEsculapius and Hygieia. A 
horse’s head is seen through a window at one corner. 
Inserted in a pedestal is a fragment of a testamentary inscription, 
sawm from the front of a sarcophagus. Found in 1776 in the Villa 
Pelluchi , near the Pincian Gate at Pome. 
Altar, dedicated by C. Tullius Hesper, andhiswdfe, Tullia Restituta, 
to the Bona F>ea of the river Anio ; and a sepulchral cippus, erected 
to Marcus Ccelius Superstes by his brother C. Ccelius Secundus; on 
it is Leda and the Swan. Pt. 10. PI. lv. fig. 2. 
Front of a pilaster, ornamented with myrtle, olive, and vine 
branches. 
ROOM II. 
This and the two succeeding rooms are intended to be appropriated 
to statues, busts, and bas-reliefs, of the mixed class termed Greco- 
Roman, consisting of works discovered (so far as is known) in Italy, 
but owing their origin and character, either directly or mediately, to 
the Greek schools of sculpture. Some few of these may perhaps be 
original monuments of the autonomous or ante-Roman period of 
Greece, afterwards transported by the conquerors to their own country, 
but the majority were certainly executed in Italy during the Imperial 
times, though generally by Greek artists, and in many instances 
•copied, or but slightly varied, from earlier Greek models. The rela¬ 
tive age of such works being too uncertain to admit of carrying out 
satisfactorily a chronological arrangement, they will be classified en¬ 
tirely according to the subjects represented. Room II. (to be here¬ 
after called the First Greco-Roman Saloon) will contain all the exam¬ 
ples of the Twelve Olympic Deities, with their several modifications 
in the Greek and Roman mythology. At present it is partly occupied 
