108 
LYCIAN SALOON. 
tation of two elders from the besieged city. Nos. 65, 66, sally 
from the town; the garrison appear on the walls, wdiile the women 
throw up their arms, shrieking in despair. No. 67 is supposed to be 
the retreat of the defeated Lycians into the city. 
No. 69. Capping stones of the east front of the base, which was 
decorated with a double band of egg-and-tongue ornament: on the 
corner ones are sculptured the antefixal ornament. 
Nos. 70—74. Columns and portions of columns from the peristyle 
of the building. 
Nos. 75—84. Statues which were placed in the intercolumniations: 
they represent females having at their feet marine emblems, such as a 
dolphin, crab, eel, and the sea bird halcyon, and passing through the 
air rapidly, as we see by the action of the drapery. These figures are 
supposed to have reference to the arrival of Latona, wfith her children, 
Artemis and Apollo, at Xanthus, or to the naval victory over Evagoras, 
or to represent the Ionian and iEolian cities, which assisted Harpagus 
in the taking of Xanthus. 
Nos. 85—91. Fragments of similar figures. 
Nos. 92, 94. The capitals of the two pilasters of the east front of 
the building, with capitals of leaves and fleurons. 
Nos. 95—105. The narrow 7 frieze which was disposed round the 
cella of the building: the subject is an entertainment, the guests re¬ 
clining upon couches, served with w 7 ine and attended by female singers 
and musicians, and a sacrifice of rams, bulls, and goats. 
Nos. 106—109. Six of the lacunaria or coffers of the ceiling, 
which are supposed to have come from the eastern front; the details of 
architectural ornaments, consisting of an egg-and-tongue moulding, ante¬ 
fixal ornaments, &c., were painted on them. 
Nos. 110—123. The narrow frieze which is supposed to have gone 
round the exterior of the building; it represents presents of dresses, 
horses, &c., brought to a satrap ; the hunt of the bear and of the wild 
boar, and a battle of horsemen and foot-soldiers. 
No. 124. Moulding from the north corner of the eastern pediment. 
No. 125. Eastern pediment with sculptures executed in relief, re¬ 
presenting male and female figures, probably divinities, seated, and 
others standing. 
No. 126. Half of the western pediment—six warriors on foot, the 
first fallen, sustaining the charge of a horseman. 
Nos. 127, 128, 129, 130. Upper corner stone of the eastern 
pediment. No. 127 is the keystone of the pediment, and show T s the 
manner in which it was tenoned into the roof. 
No. 131 a,—f. Six lions’ heads which decorated one of the sides 
of the roof. 
No. 132. Draped figure of a female in rapid motion, from the 
south acroterium , like those previously described, 75—84. 
Nos. 133, 134. Figures of youths bearing females, conjecturally 
placed on the apex of the pediment. 
No. 135. Draped female figure, similar to No. 132, from the north 
acroterium of the pediment. 
Nos. 136, 137. Lower portion of tw r o figures in rapid motion, from 
the north and south ends of the west pediment. 
Nos. 138 a.—d. Roof tiles from the building. 
